At the 2025 Academy Awards held on March 2, two out of three Welsh nominees basked in glory, with both Major winners hailed for their significant contributions to the film industry. Cinematographer Lol Crawley, originally from Llansantffraid-ym-Mechain, Powys, took home the Oscar for Best Cinematography for his work on The Brutalist, affirming his rapid rise to recognition within Hollywood.
During the ceremony, Crawley expressed his heartfelt gratitude, stating, “It doesn’t seem long since I was there, to be honest, and I have a huge affection for the country.” This sentiment struck a chord with viewers and fans back home as Crawley emphasized his Welsh roots, thanking “all my friends back in Wales” during his acceptance speech. His achievement resonates deeply within Wales, where many view him as a role model for aspiring filmmakers.
Following closely was Rhys Salcombe, hailing from Aberystwyth, who was part of the award-winning team for Best Visual Effects on Dune: Part Two. The film, directed by Denis Villeneuve, was expected to pick up multiple awards, solidifying its status as one of the year's standout cinematic experiences. Salcombe's acknowledgment alongside notable industry peers underscored the growing prominence of Welsh talent within this competitive field.
Despite their success, one of the three Welsh nominees, Trevor Matthews, didn't share the same joy. The son of Sir Terry Matthews, he served as one of the producers of The Brutalist, which, though nominated for ten Oscars, missed out on the coveted Best Picture award. That honor went to the independent film Anora, which garnered five awards, including Best Picture and Best Actress for Mikey Madison.
Back at The Brutalist, its central narrative focused on Hungarian immigrant and Holocaust survivor László Tóth, played poignantly by Adrien Brody, who also won Best Actor for his performance. The film adeptly navigates the struggles of rebuilding life post-war, lending depth to Crawley's stunning visual storytelling which utilized KODAK 35mm film primarily through the 8-perf VistaVision format.
Crawley’s impressive credentials include winning the BAFTA for Best Cinematography just days earlier, affirming his exceptional talent as he climbs the ranks of Hollywood's elite. He reflected on his artistic partnership with director Brady Corbet, stating, “I feel like The Brutalist has blown it out of the water” and hoped the film would inspire conversations about cinema's potential.
His friends showered praise as well; Matthew Dodd expressed pride, stating, “We are all so proud of what Lol has been able to achieve. He is a role model to all and shows believing in your dreams can come true.” Such affirmations of Crawley’s character and dedication resonate deeply, especially as he recalls his educational roots, having studied at Cartrefle College and for his BTEC at The North East Wales Institute.
During the post-event celebrations, Crawley made clear his intent to remain grounded, even joking with friends about old debts—Cai Ross humorously remarked about the tenner he lent him back when they were young students. This light-hearted banter reflects not only Crawley’s modesty but also the close-knit support from his native community.
Wrexham’s Mayor, Cllr Beryl Blackmore, also conveyed her congratulations via video, underscoring Crawley's win as “amazing” and embodying local pride. She described it as significant for Wales, where creative pursuits continue to flourish.
The 2025 Oscars not only highlighted the triumphs of Welsh filmmakers but also brought attention to the challenges faced by artists striving for recognition. Rhys Salcombe's win for Dune: Part Two alongside the accolades for The Brutalist collectively established the night as one of pride and reflection for Welsh cinema. It also positioned Wales firmly on the global cinematic map, promising future opportunities for both established and aspiring professionals hailing from the region.
Meanwhile, audiences were treated to the dynamic storytelling offered by other winners, such as Peter Straughan taking home the Best Adapted Screenplay award, and Walter Salles' I’m Still Here, awarded Best International Feature Film. Each of these achievements points to the diversity and innovation present across this year’s awards, marking 2025 as particularly remarkable for film.
With the pervasive themes of resilience and creativity echoing through acceptance speeches and heartfelt rejoinders, the 2025 Awards will likely spur the next generation of filmmakers to emerge, emboldened by the narratives and legacies established by visionary talents like Crawley and Salcombe. The night showcased how film can transcend boundaries, creating connections across communities and celebrating shared cultural heritage.
Crawley, as he reflects on his remarkable night, stands as not only a winner but as a beacon of hope for future talents, proving dreams made possible with hard work and dedication can prevail, leading the way for even greater creativity from Wales and beyond.