The Russo brothers' highly anticipated release, The Electric State, premiered on Netflix on March 14, 2025, setting the stage for intriguing discussions about future expansions of its narrative universe. Based on the illustrated novel by Swedish artist Simon Stålenhag, this sci-fi blockbuster stars breakout talent Millie Bobby Brown alongside Chris Pratt, and features other seasoned actors like Giancarlo Esposito and Stanley Tucci. The film blends high-concept sci-fi elements with nostalgic 1990s vibes, weaving together threads of adventure and mystery as it explores the fallout from advanced technology.
While the cinematic experience has attracted considerable attention, the reception from critics has not been as favorable. With the film currently holding only 15% on Rotten Tomatoes for critics, it is clear there are stark divisions between the perspectives of the audience and the critics. The audience, meanwhile, has responded more positively, awarding the film a noteworthy 73% score. This growing divide is part of the rich discussion surrounding the film's impact and the future of its storytelling potential.
Joe Russo, speaking with Entertainment Weekly, acknowledged the mixed reviews but remained optimistic about the long-term vision for The Electric State. "We love immersive worlds, so we always try to build worlds... but no sequel conversations as of yet," Russo noted, emphasizing the duo's commitment to creating spaces for future storytelling. Indeed, other forms of media are already being developed alongside the film. A tie-in mobile game titled The Electric State: Kid Cosmo is slated for release, reflecting the film's immersive elements and the Russo brothers' affinity for building expansive narratives.
The potential for additional content doesn't end there. The Russos have hinted at the possibility of adapting The Electric State for television, extending the universe beyond what the film could encapsulate. This could allow for exploration of the characters and themes established within the movie, tackling many of the unanswered questions viewers are left with when the credits roll. By delving back again to the narrative about Michelle, the lead character who traverses through robot-filled dystopia to find her brother, the series could enrich the existing storyline.
Yet, all speculation hinges on the viewership numbers Netflix sees following the film's release. With the production budget for The Electric State reaching as high as $320 million, it stands as one of the most costly films ever produced. The financial viability of any continuation or expansion will depend on audience engagement and the potential returns Netflix expects. The stakes are undoubtedly high, as decisions about sequels or spin-off series are weighed against such significant investments.
Interestingly, this cinematic adventure isn't new territory for Simon Stålenhag. The artist's works have been previously adapted for screen, most notable being Amazon Prime's 2020 series Tales From the Loop. With The Electric State, Stålenhag's original illustrated novel chronicles the story of Michelle, who embarks on a quest across the dystopian American West after learning her brother may still be alive, guided by her encounters with advanced robotics. This narrative reflects the broader themes of loss and hope integral to the original story.
The script for The Electric State was authored by the prolific duo Christopher Markus and Stephen McFeely, who are no strangers to high-profile adaptations. Their previous collaborations with the Russo brothers include blockbuster hits like Avengers: Endgame and Captain America films. The seasoned team, familiar with blending complex character arcs with expansive narrative, aimed to transport both the nostalgia and novelty of Stålenhag's illustrated world onto the screen.
Nonetheless, the film's reception raises questions about adaptations and viewer expectations. Critics have voiced disappointment, some highlighting the venture's attempt to emulate the depth associated with classic Spielberg films, criticizing it as too superficial to resonate authentically. Notably, Matt Goldberg from TheWrap described it as a "bizarre Spielberg riff" lacking the emotional gravitas to compete with those notable influences. Such critiques have only underscored the difficult balancing act faced by filmmakers when adapting beloved source material.
Despite the rough start with critics, audience reception tends to shape Netflix’s subsequent actions. If viewership numbers are strong and sustained, it stands to reason the platform may feel compelled to keep exploring the potential for sequels or adaptations beyond the film itself. And as discussions continue around the projected TV series, many fans may find themselves holding their breath for new installments or explorations of the world the Russos have built.
For now, The Electric State stands as both a creative triumph and a point of contention among viewers and critics alike. It exemplifies the risks taken by filmmakers venturing to interpret and adapt works with rich visual narratives. Looking forward, the anticipation over the future of the franchise—that blends robots, nostalgia, and existential quests—will likely keep audiences talking long after the credits roll.