On Sunday, March 16, 2025, TF1 took the lead with its airing of "Alibi.com 2," bringing laughter to 3.61 million viewers, which translated to 19.2% of the audience watching television. Directed by and featuring Philippe Lacheau, the film's comedic twist revolves around Grégory, who concocts elaborate excuses to hide his unusual parents from his wife-to-be. Audiences appear to appreciate the film, as it mirrors its predecessor's light-heartedness and humor.
The viewership numbers, as reported by Médiamétrie, indicate strong performance, but still fall short of the previous week's hit, "Le Pire voisin du monde," which captured 4.21 million viewers and 25% of the audience share. Despite the drop from the prior week, Alibi.com 2 significantly completed its mission of entertaining French audiences. This film is notable not just for its airings but also for its successful box office performance during its release, drawing nearly 4.3 million admissions.
The movie, following Grégory's attempts to conceal his family background — which includes his eccentric mother, played by Arielle Dombasle, and his crook father, portrayed by Gérard Jugnot— keeps viewers engaged with its zany sense of humor, lighthearted charm, and energetic pacing. The whirlwind speed of jokes captivates the audience, urging them to engage as if they were jurors on a game show offering their verdict on the material presented.
TF1's dominance on the night blends well with the channel's overall performance for the day, capturing nearly 20% of the total audience share by setting the evening programming with films like "On sourit pour la photo" which itself managed to attract 2.60 million viewers or 13.7% of the public from ages four and older. This number emphasizes both TF1's strength and its ability to sustain the viewership it has garnered over the years with such comedy films.
Viewer demographics showcase impressive scores as well, particularly among the 25-49 age bracket, where Alibi.com 2 attracted 30.4% of its audience, indicating its crossover appeal across different age groups. Women under 50, responsible for household purchasing, were somewhat captivated with 30.0% participation, showing just how well-crafted and engaging the hilarity of the film is regarded.
Alibi.com 2 graced audiences just over six years since the first installment made waves and established its comedic niche. Building on the framework of its predecessor, it sustains and amplifies those moments of humor and engaging storytelling fertile for household discussions the next day.
Looking at the broader television scene — France 2's “On sourit pour la photo” accumulated recognition with its narrative of rekindling lost love after decades, gaining its share of viewership. It reinforces the idea of diverse storytelling experiences during prime time, where Alibi.com 2's plot juxtaposes the serious elements depicted in On sourit pour la photo. Together, these shows contribute to vibrant viewing options for audiences on Sunday nights.
Viewership continues to be competitive among French channels; M6 followed with its magazine “Capital,” which drew 1.96 million viewers or 11.2% of the public. Meanwhile, the animal police series “Hudson and Rex” on France 3 also performed steadily, engaging 1.87 million viewers. Even with lower numbers, both remain significant contributors to the diverse programming offering on Sundays.
Other notable performances include Arte’s broadcast of "L’Affaire Pélican," captivating 1.39 million viewers, and demonstrating the balance of audience engagements across varied genres. France 3's “Hudson and Rex” had formidable performances capturing viewership where it aims to balance adventure with cute animal antics.
Definitely aligning with its predecessor's humorous legacy, Alibi.com 2 thrives with significant traction on TW1, combining notable viewership performance and adept storytelling to stay relevant within the crowded TV market. Viewer reactions to its initial humor may establish lasting expectations different from what previous films attempted.
TF1 aims to keep its audience engaged with unique, household-friendly comedies—finding ways to connect with family dynamics successfully as demonstrated through Alibi.com 2. Fumbling through the moments of familial dynamics allows for relatable discussion, all masked with wit and laughter.
Overall, the continued success of films like Alibi.com 2, particularly during prime evening viewing, reignites popular interests within French entertainment circles and holds potential for future products borne out of equally relatable family experiences. Alibi.com 2 is rooted firmly within the comedic repertoire of France, embodying the household essentials within humor and entertainment, solidifying its reputation.