Stand-up comedian Pranit More has stirred attention with his recent jokes about actors Ibrahim Ali Khan and Khushi Kapoor, particularly focusing on their performances in the film Nadaaniyaan. Delivered with his typical comedic flair, Pranit quipped that even Saif Ali Khan’s attacker would consider watching Nadaaniyaan as a form of punishment instead of facing a death sentence, playing into the widespread criticism the film has received since its premiere on Netflix.
On March 20, 2025, during a comedic performance, Pranit highlighted his dissatisfaction with Khushi Kapoor's acting abilities, humorously noting how she had previously tarnished her image in the film Loveyapa, where she starred alongside Junaid Khan, the son of Aamir Khan. “Khushi Kapoor alag level par chal rahi hai—kya haga hai, lekin consistently haga hai. Khushi ki last movie (Loveyapa) Junaid Khan (Aamir Khan ke bete) ke saath aayi thi, usne uski image kharab kar di. Ab wali movie Saif Ali Khan ke bete Ibrahim Ali Khan ke saath hai, aur uski bhi image kharab kar di,” remarked Pranit, illustrating his humorous critique of her career trajectory.
His biting commentary did not stop there. He went on to express that it seems as though Khushi Kapoor had taken an oath to undermine the reputations of the children of the acclaimed cast of Dil Chahta Hai, styling his commentary in a distinctly humorous and exaggerated manner. “Aisa lagta hai jaise Khushi Kapoor ne kasam kha rakhi hai ki Dil Chahta Hai mein jin-jin logon ne kaam kiya hai, sabke bacchon ki g**nd maarni hai. Akshaye Khanna khush hai, soch raha hoga ‘Accha hua shaadi nahi ki,’” Pranit added, which likely drew boisterous laughter from his audience.
While Pranit's humor highlights a comedic critique of the film's and actors’ quality, it is essential to note the film’s premise as well. Directed by Shauna Gautam, Nadaaniyaan centers around Pia Jaisingh (played by Khushi Kapoor), a wealthy young woman who hires Arjun Mehta (Ibrahim Ali Khan), a middle-class boy, to pose as her boyfriend. What begins as a pretend relationship evolves into real feelings, but despite this potentially engaging narrative, the film has faltered, garnering criticism for its shaky plot and the performances of its leads.
In response to the backlash against Nadaaniyaan, filmmaker Karan Johar defended the film at a recent Mumbai event. He expressed, “Those who know me understand that my relationship with critics doesn’t change based on their reviews. If you liked or disliked the film, that is your perspective…there’s no grand conspiracy to pull a film down, though trolls will do that,” emphasizing his view that while criticism is expected, personal attacks are inappropriate.
Yet, the reactions among audiences and netizens have been mixed, summing up a culture of varied opinions regarding Bollywood releases. Some expressed sympathy for the hard work put into productions, while others offered tongue-in-cheek responses to Pranit’s rude humor. Comments such as, “One should understand the hard work behind every project. How many homes are supported by each project,” reflect a more compassionate viewpoint, contrasting with harsher criticisms about nepotism in Bollywood.
Further adding fuel to the fire, internet personality Freddy Birdy also roasted Nadaaniyaan, asserting that the film fell short of expectations. Pinkie Roshan, commenting on Birdy's viral post, expressed her own sentiments: “Totally go with this hilarious review, though I loved Ibrahim Ali Khan.” This highlights how even within the critical narrative, there are still loyal fans of the actors involved.
As Nadaaniyaan continues to linger in discussions across social media, it raises questions about the nature of criticism in the entertainment industry. While comedians like Pranit More may leverage humor to critique, responses vary widely among fans, critics, and industry insiders. The conversation reflects a culture that balances tough love with an appreciation for the artistry of film. However, whether it changes perceptions or impacts careers of those involved remains to be seen.
In the end, the dynamic between comedians and performers in Bollywood starkly illustrates just how intertwined entertainment, critique, and public perception can be—a complicated dance that keeps audiences engaged and responsive.
