The final episode of the anime Medalist will soon air, wrapping up a story that has captivated many fans. The episode, titled "Asa ga Kuru" (Morning is Coming), brings closure to the journey of protagonist Inori Yuzuki, who aspires to become a medalist in figure skating. In the climactic scenes, Inori meets Hikaru Akatsuki, the character who has been pivotal to her journey.
This meeting takes place at the very venue where Inori first encountered Hikaru, marking a nostalgic return to their beginnings. Hikaru promises Inori that they will meet again across Japan, a heartfelt declaration that encapsulates the growth of their relationship throughout the series. As they prepare for the crucial 6th grade badge test, the air is thick with anticipation and emotion.
With the anime having aired since January 2025, the final episode has garnered a significant amount of attention and speculation. Fans are already speculating whether a second season of Medalist will be produced, due in part to its popularity and critical acclaim. The series, based on a popular manga by Tsurumaikada, won the 1st place in the Comics category at the "Next Manga Awards 2022" and received the Grand Prize in the General category at the 48th Kodansha Manga Awards. This recognition has only fueled fans' hopes for a continuation of Inori's story.
In addition to the buzz surrounding Medalist, the article also highlights some disconcerting developments in the world of Japanese media. The morning drama Omu Suubi has experienced a severe backlash, with viewers expressing disappointment with the show. Many critiques stem from the show's focus on themes that some believe alienate its audience, including depictions of contemporary youth culture and the impact of events like natural disasters.
Critics suggest that the issues the drama addresses contrast starkly with previous successful series, leading to a discussion about what these programs can teach us about audience engagement in the current climate. Some believe that the issues within Omu Suubi highlight a larger trend in media - the disconnect between creators and their viewers.
Amidst this turmoil, news has also emerged about comedian Korokke, known for his work with Yoshimoto Kogyo, who is currently facing significant financial troubles. Reports indicate that outstanding fees and loans related to his work have accumulated to nearly 300 million yen. The challenges Korokke faces, including potential conflicts with his management, serve as a critical reminder of the financial vulnerabilities that artists often grapple with in the industry.
In another part of the entertainment landscape, concerns over the appearance of a popular male idol have surfaced. Fans have expressed worry over drastic changes in his health and appearance since his debut, leading to discussions about the pressures young performers face in the spotlight.
Additionally, singer NOA, at just 25 years old, has shared her journey of becoming YG's first Japanese trainee, inspired by the K-pop group BIGBANG. Her reflections intertwine with the broader narrative of identity and ambition within the music industry, highlighting the journey of many artists who navigate their aspirations in culturally complex environments.
With the closing episode of Medalist set to broadcast shortly, all eyes will be on how this poignant tale of ambition, friendship, and perseverance resonates with viewers, especially amidst the backdrop of these concurrent stories of hardship and aspiration across media and entertainment.
