Interior design trends seem to have their own distinct lifecycle, with styles frequently changing to reflect the latest aesthetic preferences. While some trends make headlines and catch the eye of designers and the public alike, others provoke feelings of regret among interior designers who once supported them. This article dives deep, reflecting on design trends of the past as several industry professionals share which styles they wish they had avoided and which timeless pieces they continue to cherish.
Despite its popularity, midcentury modern (MCM) furniture generated mixed feelings among designers. Mark Schubert of Phillip Harrison Interiors admitted to nostalgia surrounding the MCM aesthetic, primarily due to his experiences of visiting grandparents' homes filled with iconic pieces. Yet, over time, he noticed the market became oversaturated. “About a decade ago, the resurgence of MCM design was everywhere... the aesthetic turned up in new collections by high-end and fast-furniture companies alike.” Automatically, this prompted Schubert to rethink the complete embrace of MCM. Allison Handler echoed this sentiment, noting, “I really cringe at going all in on this style/trend.” Though, both designers agreed on integrating MCM elements with other styles to soften the overall look.
That brings us to another bold design choice many may regret: chevron-patterned upholstery. Amy Elbaum, of AE Design, characterized the trend as intense and something most would eventually tire of. “Chevron is such a bold pattern... it doesn’t easily transition to other design styles because it’s such a modern and dominant pattern.” Such elements make it difficult to maintain harmony across different décor choices.
Among the myriad of patterns available, Ikat fabric was another trend proudly championed by designers only to find themselves distancing from it later. Mikel Welch recalled his days of exuberantly reupholstering vintage finds with the busy, eclectic fabric. Reflecting today, he remarked, “Those loud, busy designs don’t resonate with me anymore.” something more minimalist appeals to him now. Further adding to the list of cringe-worthy choices, Welch mentioned his past fumbling with Buddha-inspired furniture, reflecting, “Back then, I thought it was cool... I realize how shallow... it was.” Such choices remind designers of the cultural importance of their choices and the long-lasting impact of the items they select.
Yet even as designs change, not all trends are treated with the same scorn. Ali Budd’s reflections on cheap chrome pieces indicate another regret. Lower-quality versions of iconic items served as temporary adornments but lacked integrity. “It’s not about trends—it’s about integrity,” Budd stated, reinforcing the notion of choosing pieces with lasting value.
Amongst the bling and glamour once favored, Kristy Turner found excessive decoration to have waned. “Over-the-top glam furniture... now feels dated and heavy-handed.” Designs today favor understated elegance, leaning toward simplicity and natural materials. This shift signals how style preferences evolve, favoring pieces with enduring appeal over momentary flash.
Jewel-toned velvet sofas, which once had designers clamoring for their homes, also came under fire. Alicia Held-Morris expressed criticism, advising consumers to be cautious. “Some velvets... crush easily... and don’t hide any stains.” Along with it, button-tufted Chesterfield sofas face scrutiny for comfort and upkeep. They are often not practical for frequently used spaces, leading her to recommend alternative styles.
The conversation continues to pivot away from ephemeral trends toward more enduring classics. Mikel Welch highlighted natural materials, like linen, revered for their timelessness and elegance. “These pieces age well... adding comfort... to any room,” he stated. Weathered wood pieces captured the hearts of many due to the character they gain with age. Welch also pointed out how neutral hues maintain broader appeal over the years—this versatility means homeowners can easily refresh spaces by altering accessories without needing to replace furniture.
There exists something truly special about quality antiques, characterized by their craftsmanship and history. Kristy Turner states, “There’s something timeless about the craftsmanship and character they bring to space.” Retrofitting these finds alongside modern designs can create captivating contrasts across various room settings.
Alicia Held-Morris supplied her admiration for Hans Wegner dining chairs, praising their blend of beauty, comfort, and practicality. Welcoming these midcentury designs, she noted, “These chairs are timeless not only for their beauty, but for their comfort.”
The consensus among these designers is clear—not every style deserves the spotlight. Acknowledging regrets allows for refined tastes and a focus on what genuinely endures. Balancing whimsy with timelessness undoubtedly signifies strong foundational knowledge within the ever-changing design aesthetic. Looking forward, it’s safe to say the patterns of yesterday won’t soon repeat for many of these experts, paving the way for smarter, more nuanced choices within the field.
