Branden Jacobs-Jenkins’s "Purpose" was awarded the Pulitzer Prize for Drama on May 5, 2025, marking a significant achievement in the landscape of American theater. The play, which explores the complex dynamics and legacy of an upper middle-class African-American family, has captivated audiences with its blend of drama and comedy. The Pulitzer citation highlights the play's ability to probe how different generations define heritage, a theme that resonates deeply in today's society.
In addition to Jacobs-Jenkins's win, two other notable works—Cole Escola’s "Oh, Mary!" and Itamar Moses’s "The Ally"—were selected as finalists for the prestigious award. Both plays are currently running on Broadway and are also contenders for the 2025 Tony Award for Best Play, which will be awarded at the upcoming ceremony on June 8.
"Purpose" follows the politically influential Jasper family during a reunion dinner that takes a dramatic turn, showcasing the tensions and revelations that arise when family members confront their past and present. Jacobs-Jenkins, a Tony winner for his previous work "Appropriate," has crafted a narrative that is both entertaining and thought-provoking, making it a worthy recipient of the Pulitzer Prize.
Meanwhile, "Oh, Mary!" has emerged as a hit comedy that reimagines the life of First Lady Mary Todd Lincoln in the weeks leading up to her husband Abraham Lincoln's assassination. The play portrays Mary Todd as a sharp-tongued, cabaret-obsessed woman, exploring themes of identity and ambition through humor. Escola, who not only wrote but also stars in the production, has received acclaim for both his performance and the play’s originality. The Pulitzer citation for "Oh, Mary!" describes it as a zany portrait of the Lincoln family life, emphasizing its outrageous humor.
"The Ally," on the other hand, tackles the complexities of activism and moral responsibility on a college campus, reflecting the current climate of social justice movements. This timely drama, set against the backdrop of American identity and progressive politics, features richly drawn characters that embody various perspectives on contemporary issues. Moses has crafted a narrative that challenges audiences to engage in dialogue about the contradictions within progressive thought.
The jury for the Drama prize was chaired by David Henry Hwang, a renowned playwright and professor at Columbia University, alongside fellow jury members Tanya Barfield, Rebecca Gilman, Helen Shaw, and José Luis Valenzuela. Their selection underscores the diversity and depth of storytelling present in today’s theatrical landscape.
In addition to the Drama prize, the Pulitzer Prize in Criticism also recognized outstanding contributors to theater journalism. Sara Holdren of New York Magazine and Vinson Cunningham of The New Yorker were both finalists for their insightful critiques that illuminate the complexities of contemporary theater. Holdren's citation praised her ability to combine a reporter’s eye with a historian’s memory, while Cunningham's work was noted for its illuminating and personal approach to reviews.
As the theater community celebrates these achievements, the excitement continues with the upcoming Tony Awards. "Oh, Mary!" is nominated for five Tony Awards, including Best Play, while "Purpose" is up for six. The nominations reflect the growing recognition of innovative storytelling that resonates with audiences today.
On the Broadway front, Cole Escola recently appeared on CBS Sunday Mornings on May 4, discussing the journey of "Oh, Mary!" from concept to stage. The production, which continues its run at the Lyceum Theatre, has garnered attention not only for its humor but also for its unique take on historical figures. Escola's portrayal of Mary Todd Lincoln has been described as both comedic and poignant, highlighting the struggles of a woman in the shadow of her husband's legacy.
"Oh, Mary!" initially premiered at the Lucille Lortel Theatre in 2024, where it quickly became a must-see production, leading to a multi-extended run. The show has received accolades, including two 2024 Outer Critics Circle Awards for Outstanding New American Play and Lead Performer in an Off-Broadway play, both awarded to Escola. The production also won the 2024 Off Broadway Alliance Award for Best New Play, further solidifying its place in the theater scene.
As the Broadway season progresses, audiences are eager to see how these acclaimed productions will fare at the Tony Awards. With both "Purpose" and "Oh, Mary!" competing for top honors, the stakes are high, and the anticipation is palpable.
Moreover, the theater community is buzzing with news of Tituss Burgess returning to "Oh, Mary!" for a special six-week encore beginning June 23, 2025. Burgess, who previously played the role of Mary Todd Lincoln, is set to join the original cast members, including Conrad Ricamora and James Scully. This return adds another layer of excitement to a production that has already made waves in the theater world.
As the curtain rises on these remarkable plays, audiences are reminded of the power of theater to reflect societal issues, provoke thought, and entertain. The recognition of these works through awards like the Pulitzer Prize and the Tony Awards underscores the importance of storytelling in shaping cultural conversations.
In a landscape where theater often serves as a mirror to society, the success of "Purpose," "Oh, Mary!" and "The Ally" highlights the rich tapestry of narratives being explored on stage. As the theater community looks forward to the upcoming Tony Awards, there is a shared sense of pride in the achievements of these playwrights and performers, who continue to push boundaries and challenge audiences.
With the Tony Awards just around the corner, the excitement is building for what promises to be a memorable celebration of theater. As the nominees prepare to take the stage, one thing is clear: the future of American theater is bright, and its stories are more relevant than ever.
