Yulia Aug, the acclaimed actress and director currently residing in Estonia, recently shared her thoughts about the cultural dynamics within the country and its relationship with Russian-speaking residents. During an interview with the Latvian portal LSM+, Aug stated her belief of being accepted more openly by Estonians than by the Russian-speaking population, especially following the geopolitical changes since the war began.
On March 11, 2025, Yulia Aug candidly discussed her experiences living and working in Estonia, emphasizing the noticeable disconnect she feels with the Russian-speaking community. "I understand very clearly: I am more openly accepted by Estonians than by Russian-speaking residents of Estonia," she expressed, noting how these individuals often rely on media narratives from Russia rather than engaging directly with her work or intentions.
Adding nuance to her comments, Aug acknowledged the perception among some critics who suggest the Baltic countries could emerge as hubs for non-conformist Russian culture. "With the Baltics, it didn't happen; something is missing..." she remarked. Her observations reflect on the long-standing cultural tensions present within Estonia, where the historical ties to Russia often complicate the acceptance of Russian-speaking artists and their narratives.
Despite her frank assessments of the cultural climate, Aug was quick to point out the lack of censorship or cancellation of Russian culture within Estonia. She highlighted the productions being staged at the Estonian Drama Theatre, including plays such as "Totalitarian Romance" and "Eisenstein," which investigate significant figures of Russian culture and are presented with Russian subtitles, demonstrating integration rather than exclusion.
Aug emphasized the encouraging developments within the cultural scene, acknowledging the collaborative efforts to integrate Russian narratives within Estonian society. For example, she personally directed plays based on Estonian literary works, like her adaptation of Jaan Kross's "Imperial Madman," which serves as a bridge between the two cultures.
Reflecting on her relationship with Latvia and her frequent visits there, she expressed fondness for the country and noted her involvement in an upcoming film project shot there. "Over the last two years, I have been to Latvia quite often; I have many friends here," she stated, sharing sentiments of belonging and community which she found comforting amid her artistic pursuits.
Interestingly, she mentioned the unique perspective Latvian audiences bring, contrasting it with her experiences within Estonia, highlighting the differences in cultural acceptance and interaction. "Latvia has become significant for me... I'm involved in a film project where we built a large wooden village," she explained, hinting at her collaborative work with various international actors and production teams.
Aug's insights resonate with many about the changing face of artistic collaborations within the Baltic region, especially concerning artists from Russian-speaking backgrounds. While she has faced challenges, her optimism for mutual engagement shines through. "I see movement toward Russian culture," she insisted, referring to programs aimed at fostering integration of Russian cultural references within Estonian theater.
She also offered reflections on her experience at the Estonian Drama Theatre, noting, "Eesti Draamateater has begun subtitling its performances since I directed 'Eisenstein' there," highlighting the increasing accessibility to cultural works across language barriers.
Her role as the creative director of Vaba Lava Narva showcases her commitment to creating spaces for dialogue and exploration of complex themes through theater. Currently, she is developing documentary performances focused on the Russian emigration narrative from the early 20th century, particularly capturing the experiences of White Guards who retreated during the Russian Civil War.
“These stories need to be told,” she asserted, shedding light on the often-overlooked figures from history whose narratives are integral to the larger discourse. Aug is determined to present these stories, not only for historical preservation but also as part of the interwoven identities of Baltic and Russian cultures.
Looking forward, Aug is heading to Venice on March 28, 2025, for the premiere of her latest project, showcasing her passion for theater and storytelling. "I'm excited about my upcoming performance, which will be accompanied by live organ music," she said, reflecting on the artistic connections she continues to cultivate.
Yet, the underlying sentiment remains: the current political climate has complicated her artistic ties to her homeland. Reflecting on her past, Aug remarked on the emotional struggle of being unable to return to Russia. "I fear it will not be possible..." she stated somberly, encapsulating the feelings of longing and loss many artists face amid political strife.
Her narrative echoes the experiences of many fellow artists, exploring the terrains of cultural acceptance, national identity, and the persistent question of belonging within the shifting landscapes of the Baltic region. Aug continues her artistic work with resolve, illuminating the complex ties between cultures, histories, and the importance of dialogue.