Vittorio Sgarbi, a renowned Italian art critic, is currently battling severe depression and is hospitalized at the Policlinico Gemelli in Rome. As of March 24, 2025, this hospitalization follows Sgarbi's own admission about the debilitating effects of his condition, which he described as leaving him unable to maintain his usual pace. His friend, journalist Marcello Veneziani, has spoken out about Sgarbi’s health, providing insight into the emotional struggles that accompany his illness.
In a heartfelt letter published in La Verità, Veneziani shared his concerns, emphasizing that Sgarbi’s depression is the “daughter of his wounded narcissism.” He elaborated on how Sgarbi perceives that many of his impulsive freedoms have vanished, leading to a constriction of his world that is particularly devastating for someone who has always thrived on personal autonomy. “His emotional universe is shrinking,” Veneziani noted, reflecting on the severity of Sgarbi's condition.
Sgarbi's hospitalization comes after he has experienced significant weight loss, extreme fatigue, and an inability to engage in daily activities. He articulated during a recent interview that he spends lengthy periods in bed. “I have lost a lot of weight. I have a hard time with everything. I still manage to work at times,” he remarked. Sgarbi disclosed that his mental and physical health has deteriorated to the extent that he feels like “a train that has stopped at an unknown station.”
The struggle is compounded by his refusal to eat, a change attributed to his depression. His partner, Sabrina, along with his sister Elisabetta, share deep concerns regarding his overall well-being, as they witness the profound change in his lifestyle. Veneziani has captured this sentiment by urging Sgarbi to “get up and walk,” displaying a blend of tough love and friendship.
Veneziani believes that this critical moment might also serve as an opportunity for rebirth for Sgarbi. “He must go through a sort of ‘little death,’ leaving behind ‘Vittorio Uno’ so he can open the chapter of ‘Vittorio Due.’” This statement echoes the sentiments of personal transformation — a narrative that many find relatable in the face of hardship. Veneziani insists that embracing this shift will involve adopting a less egocentric perspective connected more to the reality surrounding him, fostering a potential pathway towards recovery.
In reflecting on their long-standing friendship, Veneziani noted, “We have known each other for many years... I have always seen in his aggressiveness an almost childish sign, innocent.” This personal history sheds light on the significant bond that underscores their interactions and dealings over the years. Veneziani likened Sgarbi to Machiavelli, depicting him as an intelligent individual who, despite his flaws, possesses unique artistic talents and an uncanny ability to identify and explain artworks.
Despite the heavy burden of his condition, there remains a glimmer of hope for Sgarbi and his loved ones. Montrating a parallel to the recovery of Pope Francis at the same hospital, Veneziani expressed his aspiration that similar positive outcomes might be in store for Sgarbi: “At the Gemelli, where Pope Francis was also hospitalized, we have already witnessed a happy ending. Let’s hope for another to follow for Vittorio.”
As friends and family rally around Sgarbi during this challenging time, they collectively join in wishing him a moment of healing and restoration that could revitalize his spirit and enable a return to the vibrant life he has long known.
