On December 26, 2024, Italian audiences were treated to a breathtaking live performance of Natale in Casa Cupiello, featuring actor and director Vincenzo Salemme. Broadcasting on Rai 1 from the Auditorium Domenico Scarlatti, the event marked a special homage to Eduardo De Filippo's esteemed play, celebrating both its historical significance and its enduring charm.
Written by De Filippo, Natale in Casa Cupiello originally premiered on Christmas Day, 1931, at the Teatro Kursaal in Naples. Its storyline revolves around Luca Cupiello, who becomes obsessively consumed with creating his presepe, or nativity scene, as he struggles to navigate his family's chaotic dynamics. Salemme's portrayal of Luca offers depth and nuance, showcasing the comedic as well as the tragic elements endemic to the play.
Salemme’s return to Natale in Casa Cupiello is particularly poignant; he recalls his first interactions with De Filippo, who guided him as he endeavored to enter the world of theater. “Through the wonderful text by Eduardo,” Salemme remarked, “I could rediscover a cultural civilization which I believe is fading away in today’s world.” This sense of nostalgia permeates the performance, bridging generational gaps and creating relatable moments for audiences both old and new.
This rendition strives to remain faithful to De Filippo’s original work, with over 40 people behind the scenes contributing to its orchestration. The live broadcast offered viewers across Italy the opportunity to witness this quintessentially Italian narrative, reinforcing the importance of maintaining theatrical traditions within the modern cultural milieu.
“I ventured forth with Eduardo’s masterpiece,” Salemme said, alluding to the ambitious production framework supporting the show. Audiences were treated to not just De Filippo’s rich dialogue, but also to the evocative soundscapes orchestrated by musician Nicola Piovani, adding layers to the emotional experience. Salemme’s respect for the text is palpable as he artfully weaves comedy with poignant moments, allowing the rich history and themes of family, tradition, and personal struggle to shine through.
The performance juxtaposes the light-heartedness of holiday celebrations with the underlying tensions of family gatherings. This duality manifests strongly through Luca's interactions with his loved ones, who navigate their desires and disappointments against the backdrop of Christmas expectations. “The presepe becomes the center of Luca’s life,” Salemme noted, emphasizing the importance of this symbol as it encapsulates the spirit of familial bonds and generational contrasts.
Rai 1’s selection to broadcast Natale in Casa Cupiello reinforces the timelessness of this work, making it accessible to new generations. The themes explored—family unity, the need for connection, and the challenge of accepting change—resonate deeply, exemplifying why this masterpiece remains beloved.
For viewers who missed the live airing, the full episode is available on RaiPlay, ensuring the magic of this performance can be enjoyed on demand. The easy access offered by streaming platforms amplifies the capacity for such culturally rich productions to reach wider audiences.
“Natale in Casa Cupiello” stands as both a cultural artifact and contemporary performance piece, showcasing not only Salemme's artistic abilities but reminding viewers of their shared past. The interplay of comedy and tragedy reflects the complex nature of family life—a theme as relevant today as it was during De Filippo's era.
The evening culminated not only as entertainment but as a powerful commentary on resilience, heritage, and community ties, all wrapped up within the joyous rituals of Christmas. By breathing new life back onto the stage and screen, Salemme has once again brought heightened awareness to the importance of preserving Italy’s theatrical legacy.
Vincenzo Salemme’s Natale in Casa Cupiello is more than just another performance; it's a rediscovery of roots, honoring those who shaped the narrative of Italian theater and fostering connection among today’s audiences.
