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18 March 2025

Village Roadshow Files For Bankruptcy Amid Warner Bros. Legal Battle

Longtime film producer grapples with financial losses from independent content and pandemic challenges.

Village Roadshow Entertainment Group (VREG), the iconic film company known for major franchises like The Matrix and Joker, has filed for Chapter 11 bankruptcy protection. This filing came on Monday, March 17, 2025, at the U.S. Bankruptcy Court for the District of Delaware, driven by mounting legal disputes with Warner Bros. and financial pressures from unsuccessful independent projects.

The company’s financial woes are stark, reporting approximately $223.8 million in asset-backed secured loans and $163.1 million of senior secured debt. VREG’s difficulties were compounded by their foray outside traditional partnerships, as they attempted to produce films independently — efforts which have proven largely unprofitable. CEO of Village Roadshow Group, Clark Kirby, expressed disappointment about the situation, stating, "During Village Roadshow Group’s ownership, VREG had been a successful business producing legacy films." Yet, he noted, VREG’s struggles are indicative of larger industry trends.

The centerpiece of VREG's bankruptcy is its increasingly contentious relationship with Warner Bros. This turmoil escalated after the release of The Matrix Resurrections on HBO Max on December 22, 2021, the same day it premiered theatrically. VREG alleges this move breached their co-ownership agreements and deprived them of theater revenues, prompting significant arbitration costs totaling over $18 million, fees which remain unpaid. Keith Maib, managing director of Accordion Partners and VREG's chief restructuring officer, commented on the legal aftermath, stating, "Even if the WB Arbitration is resolved, the Company believes it has irreparably decimated the working relationship between WB and the Company."

Between 2018 and 2020, VREG invested around $47.5 million on various projects, yet many ended up being developed without ever seeing production, or if made, failed to turn profit. This gamble on independent content has left VREG very vulnerable. The impacts of the COVID-19 pandemic, alongside the 2023 writers' and actors' strikes, disrupted production schedules and halted many projects across the industry, exacerbated by shifting audience preferences toward streaming services.

Once boasting around 45 employees split between the U.S. and Australia at the beginning of 2024, VREG’s workforce has dwindled to just two executives and only three administrative professionals left in the U.S., alongside six financial professionals based in Australia. These layoffs reflect the urgent cost-cutting measures VREG has taken as it navigates this precarious situation. The company’s monthly overhead has now surged to approximately $300,000.

Founded in 1997, Village Roadshow Entertainment has co-produced over 100 films generating more than $19 billion in box office revenues worldwide. Despite this legacy, the current financial crisis indicates severe difficulties for the long-established company. The relationship with Warner Bros, once fruitful, has become strained, with fears this conflict might mark the end of their 25-year partnership.

The filing indicates VREG's assets are estimated to range from $100 million to $500 million, but it holds over 200 creditors and debts reaching between $500 million to $1 billion. Notably, they owe over $11 million to the Kirkland & Ellis law firm and over $1.4 million to the Writers Guild of America West (WGA), among other significant debts. This puts additional pressure on VREG as it seeks to restructure and find viable paths forward.

While efforts had been made to divest some library assets, engagements with Goldman Sachs to facilitate potential sales faced hurdles due to the unresolved arbitration with Warner Bros. This turmoil within VREG’s administration culminated earlier this year with the resignation of CEO Steve Mosko, who had envisioned transforming VREG from mere co-producing to establishing it as a stand-alone filmmaker.

Going forward, the outcomes of the Chapter 11 process will be instrumental not just for VREG, but also highlight the vulnerabilities inherent within the entertainment industry as it grapples with the shifting sands of technology and consumer preferences. The bankruptcy filing does attempt to set the stage for orderly sales of the company's assets with the hope of mitigating losses. This situation will remain closely monitored by analysts and audience members alike as VREG’s tale provides lessons about resilience and transformation within the chaotic industry.