The Festival Internacional de la Canción de Viña del Mar 2025 is captivating audiences once again at the iconic Quinta Vergara Amphitheater, known for its ability to both celebrate musical talent and serve as the stage for public opinion. Headlining the night's performances on February 24, Myriam Hernández, the beloved Chilean ballad singer, was set to take the spotlight with her romantic hits, marking her return after over two decades.
Accompanying Hernández is the popular Mexican duo HaAsh. Comprised of sisters Ashley Grace and Hanna Nicole, the duo relies on their distinctive pop-country sound to engage fans. Tonight's festivities promise to envelop the audience with heartfelt performances as well as humorous interludes, with comedian Chiqui Aguayo slated to deliver comic relief.
The festival, which kicked off on February 23, is renowned for drawing both local and international artists. This year, it features prominent stars like Marc Anthony and offers opportunities for newer talents to shine. This annual six-day spectacle focuses on not just established artists, but also showcases cultural representations through its international song competition.
The excitement for the event is palpable, with streaming available through Disney+ across Latin America. The festival’s official website will also provide live feeds to the U.S. via Billboard.com and Billboardespañol.com, prompting viewers from North America to join the festivities virtually.
Myriam Hernández is recognized for her powerful ballads such as El hombre que yo amo and Huele a peligro. She has often been reflected upon as one of Latin America’s most enduring artists, securing her place among the greats. This performance marks her first complete concert at Viña since 2001, which gives it even more significance for her loyal fans.
Alongside Hernández, the festival’s lineup includes various other artists competing for accolades. For the folkloric competition, talents such as Sele Vera y los Pampas from Argentina and Las Damas de Oro from Ecuador are set to compete. The international competition showcases performers like Dani Ride from Chile and Nia from Spain, providing a platform for diverse musical styles and cultural expressions.
Adding to the night’s complexity, Venezuelan comedian George Harris experienced stark audience reactions, facing booing and discontent throughout his set. Despite his attempt to engage with the audience—stressing, If you don’t like it, go buy drinks—he struggled to calm the crowd's hostility, which led him to leave the stage prematurely.
Harris’s abrupt departure sparked debate on social media; some spectators noted xenophobic undertones, arguing the reaction was uncalled for, particularly as he is known for tackling identity issues through humor. He later returned with disappointment, stating, What a pity the bad ones always win, which left many discussing the cultural significance of his performance and its reception more broadly.
Following Hernández’s performance, the festival will continue with the comedic set of Chiqui Aguayo, who previously claimed both the Silver and Gold Seagull awards back in 2017. Aguayo, excited about her return, aims to strike a more personal chord with the festival-goers. The outcome of her performance could shape opinions about her comedic style, which previously left mixed impressions.
Meanwhile, the night’s finale will be headlined by HaAsh, who recently stirred excitement among fans. They took to social media to invite input on their setlist, showcasing their commitment to connect with the audience—which is another aspect of the festival known for its interactive environment.
Overall, the Viña del Mar Festival is set to blend several musical genres, circulate poignant moments among various performances, and evoke strong reactions from attendees. This year promises new experiences and the continuation of traditions—a hallmark of its long-standing legacy. Each evening features competitive dynamics, artistic expression, and varying audience sentiments, highlighting the nuanced relationship between performers and the public.
Viña del Mar has become synonymous with not just performances, but the essence of cultural representation. The event offers more than entertainment; it creates dialogues and builds connections within the music community. While stars shine on stage, the festival remains open to shaping new discussions on cultural identity and audience dynamics, paving the way for future generations of performers.