Vald, the French rap sensation, has made a triumphant return with his latest album, "Pandemonium," released on March 28, 2025, after a three-year hiatus. This much-anticipated project has already made waves, achieving an impressive 3.35 million streams on Spotify France within just 24 hours of its launch. This figure is a testament to Vald's enduring popularity and the excitement surrounding his comeback.
"Pandemonium" features a total of 20 tracks, including three bonus songs, showcasing Vald's evolution as an artist. The opening track, "Dieu merci," is particularly notable, described as a sign of maturity. In the accompanying music video filmed at the Paris La Défense Arena, Vald presents a striking visual narrative, juxtaposing moments of introspection with vibrant imagery, such as him behind the wheel of a luxury sports car or enjoying a kebab in the stands.
Vald's lyrics in "Dieu merci" reflect a profound awareness of life's fragility and the luck he feels he has experienced. He poignantly states, "She could have suffered longer from cancer. In the end, it's not so bad that she left so quickly," paying tribute to his mother and the impact of her passing on his life and career.
The album has not only resonated with fans but also achieved significant commercial success. In its first three days, "Pandemonium" sold 28,858 copies, with 23,621 of those being physical purchases. This impressive figure marks the best physical album launch for a French rap artist since the S-Crew's release in 2022. The album's success reflects Vald's ability to connect with his audience, as he navigates personal themes of depression, mourning, and addiction throughout the tracks.
Vald's previous album, "V," released in 2022, set a high bar with 74,000 copies sold in its first week. While "Pandemonium" may not reach those stratospheric numbers, it has certainly made a strong statement in the current music landscape. The competition for the best start of the year is fierce, with Les Enfoirés currently holding the title with 57,500 purchases of their show "Au pays des Enfoirés." However, Vald's return is undeniably impactful, as evidenced by the overwhelming response from fans.
In addition to the album release, Vald has announced a major concert event at the Paris La Défense Arena on November 29, 2025, which can accommodate up to 45,000 spectators. Fans eagerly await the opening of ticket sales, set for April 4, 2025, at 10 AM. This concert promises to be a significant milestone in Vald's career, marking his return to the stage after a period of relative quiet.
The music video for "Dieu merci" further amplifies the anticipation for the upcoming concert, featuring Vald performing in an empty arena, emphasizing the emotional weight of his lyrics and the journey he has undergone in recent years. The video culminates with an announcement of the concert, creating a sense of urgency and excitement among viewers.
Vald's artistry has consistently blended personal reflection with social commentary, and "Pandemonium" is no exception. The album delves into complex themes with a mix of humor and seriousness, showcasing his unique style. Tracks like "Gauche Droite" critique political extremes, while others explore deeper emotional struggles, such as depression and addiction.
In a world where many artists often conform to industry expectations, Vald remains unapologetically authentic. His music reflects a commitment to his craft, as he navigates the challenges of fame and personal loss. The artist has shared his thoughts on the impact of his mother's death on his creative process, stating, "It breaks the mood to lose your mother. For several months, I didn't want to rap anymore. But my mother loved my work too much. When I visited her in the hospital, she would say, 'Aren't you going to work?' (He laughs). I was happy to get back to it for this album and to respond to that madness she had. At home, it was forbidden not to work. We were always afraid of not having money or being unemployed."
This emotional depth is what sets Vald apart in the rap scene. His ability to convey vulnerability while maintaining a sense of irony and humor is a hallmark of his style. The production on "Pandemonium" is equally noteworthy, with contributions from BBP, a member of QLF, who has worked on numerous successful projects in the past. The instrumental for "Dieu merci" is characterized by a dramatic sample and a compelling rhythm that aligns perfectly with Vald's lyrical themes.
As Vald continues to navigate his career, the excitement surrounding "Pandemonium" and the upcoming concert at the Paris La Défense Arena demonstrates the strong connection he has with his audience. The anticipation for new music and live performances is palpable, and fans are eager to see how Vald will further develop his artistry in the years to come.
In summary, Vald's "Pandemonium" marks a significant chapter in his career, combining personal reflection with commercial success. The album's themes resonate deeply with listeners, and the upcoming concert promises to be a landmark event for the artist and his fans alike. As Vald steps back into the spotlight, the music world watches with bated breath, eager to see what he will do next.
