In an innovative twist on a literary classic, the play Pride and Prejudice (sort of) reinvents Jane Austen’s much-loved novel through a vibrant mix of modern humor and karaoke-style entertainment. Currently showing at The Lowry in Salford until March 22, 2025, it has captured the attention of audiences with its witty retelling.
Written by Isobel McArthur, this theatrical adaptation allows the story to be told from the perspective of the servants in the Bennet household, offering a fresh lens on the story. The play kicks off with a lively interaction amongst the cast members, who are busy cleaning and preparing, seamlessly drawing the audience into their world.
The cast is composed of five talented actresses who deftly navigate multiple roles throughout the performance. The show opens with Mrs. Bennet and her five daughters, with the character of Mr. Bennet the only one not portrayed by the all-female ensemble. Among the lead characters, Elizabeth Bennet, played by Naomi Preston Low, and the charismatic Fitzwilliam Darcy, played by Rhianna McGreevy, stand out distinctly amidst an array of rapid character shifts, thanks to clever costume design and physicality.
The production's humor, described as “riotously funny” by Variety, cleverly juxtaposes the original language of Austen with contemporary dialogue, creating an unexpected comedic effect. One notable aspect is the remarkable comedic timing displayed, particularly by McGreevy and fellow cast member Emma Rose Creaner, who captures the essence of slapstick humor while maintaining a storyline that's rich in social commentary.
The play’s structure seamlessly integrates moments of music, with characters showcasing their vocal talents throughout. Familiar songs like You’re So Vain and Will You Love Me Tomorrow make appearances, delivered with a flair akin to karaoke rather than a full-fledged musical, which adds to the energetic ambiance of the show without overwhelming the narrative. The use of live instruments and a portable karaoke setup enhances the audience's experience, bringing an air of spontaneity to the theatricality.
While the influx of characters and rapid scene changes can at times leave some audience members slightly confused—especially those who might not be as familiar with the original novel—the play’s overall humor and vitality more than offset these moments. Eleanor Kane's impressive portrayal of multiple Bennet daughters shows her range as an actress, but the pace of the narrative can occasionally gloss over details that might leave some viewers puzzled.
The play navigates significant themes from the original Pride and Prejudice, such as societal structures and the pursuit of love and marriage as a measure of success within a restrictive social context. These are cleverly highlighted by the all-female cast, who bring to life the challenges faced by women in the 19th century. Moreover, the performance gives a nod to the struggles of characters like Lady de Bourgh, interpreted in a humorous light with the inclusion of Chris de Burgh’s Lady in Red as part of the performance.
In addition to humor, moments of physical comedy abound throughout, as the cast immerses itself in slapstick antics that occasionally leave the audience in stitches. The physicality of the performances, combined with the high-energy musical interludes, allows for a unique blend of entertainment that appeals to both die-hard Austen fans and newcomers alike.
Overall, Pride and Prejudice (sort of) delivers a fresh and lively interpretation of Austen’s beloved work, marrying humor and poignancy in a way that captivates the audience. The chaotic yet cohesive narrative combined with stellar performances ensures that viewers leave the theatre both entertained and touched by the emotional undertones woven throughout the laughter. The play is indeed a celebration of both the original text and its reinterpretation, securing its place as a must-see this season.
With its unique portrayal, Pride and Prejudice (sort of) at The Lowry promises to make audiences laugh, reflect, and most importantly, enjoy a night at the theatre that’s anything but traditional.
