The release of the Japanese film Under Ninja, directed by Yuichi Fukuda, has sparked considerable discussion among audiences, particularly those familiar with the original manga by Kengo Hanazawa. The film, which opens with comedic elements, dives deep through the humorous yet serious lens of post-World War II culture, captivating some viewers and disappointing others.
Set against the backdrop of Japan’s historical narrative, the film explores what happens when the American general headquarters (GHQ) orders the dismantling of ninja organizations after the Pacific War. Ninjas, thought to have vanished, are depicted as lurking globally and still involved in covert activities. The protagonist, Kurō, played by Kento Yamazaki, infiltrates a high school to track the movements of the Under Ninja organization, which has remained underground for over 70 years. The narrative provides both comedic and action-packed sequences, perhaps most notable for its unique premise.
Reactions to the film have been mixed. Critiques highlight its engaging character dynamics. One reviewer applauded the film's cast, especially the performances of Hamabe Minami and Mamiya Shotaro, noting, 'The action battle between Yamazaki and Yamamoto is pretty good, but it feels like wasted potential,' implying dissatisfaction with how some characters were underutilized. The review reflected the feelings of frustration where comedic sketches overshadowed the more serious aspects of the narrative.
Others, like reviewer 满塁本塁打, recognized the character portrayals and humorous moments but noted some pacing issues, stating, 'While everything was entertaining, the length of the film was its biggest flaw.' Many felt the tone shifted throughout, providing moments of laughter alongside intense action, yet perhaps at the cost of developing the story fully.
The humor often relies on familiar comedic tropes and gags, driven by performers like Muro Tsuyoshi and Sato Jiro. The latter, also noted for his knack at captivating audiences with his unique style, has been both appreciated and criticized. One viewer lamented, 'Either Sato or Muro could work, but both seemed excessive,' indicating the divisive nature of their performances.
Many audience members found the humor to sometimes distract from the overall plot. The film is peppered with moments of dynamic interaction, yet some think it leans heavily on comedy where action should reside. 'If they would have incorporated more action scenes instead of overemphasizing jokes, it would have been much more satisfying,' another viewer claimed.
Conversely, many viewers praised the film for its innovative action scenes. Reviewers pointed out Yamazaki’s impressive abilities, especially during his fight sequences where he creatively uses his surroundings. '[Yamazaki] is known for his agile footwork, and during action scenes, he emphasizes both strength and agility,' noted one critic, reflecting on the choreography's effectiveness. This aspect pleased fans of action films and highlighted the versatility of the film's direction.
Despite its focus on humor, the narrative threads connecting the various characters and stories captivated some sections of the audience. The theme of the film touches on cultural identities and the juxtaposition between traditional practices and modern society. The creative lens through which characters interact is sometimes lost under extended comedic sequences, leaving audiences torn between wanting more substance and the sheer delight brought by its comedy.
Visually, the movie embraces vibrant cinematography, which enhances both the dramatic and comedic timing. Its blends of action coupled with unconventional humor have rediscovered the ninja genre for contemporary audiences. Through this film, other films and adaptations dealing with ninjas and their portrayal have increased their visibility, showing the familiar archetype’s adaptability.
Overall, Under Ninja succeeds in rendering memorable characters with distinctive traits, establishing comedic undertones, and showcasing some brilliant action sequences. Yet, its execution faces scrutiny for relying too heavily on humor, which may detract from audience updates on its compelling premise. Now, fans of the ninjas are left debating whether the film triumphs as comedic entertainment or falls short of expectations. With contrasting critiques, viewers are left with varied interpretations of what it means to adapt such knowledge and culture onto the screen.
The film managed to cement some of its stars firmly within the action-comedy genre, and as discussions about potential sequels develop, audiences remain hopeful for future projects to take fuller advantage of the beloved themes they adore.