James Mangold's new biopic, A Complete Unknown, chronicles the early life and career of Bob Dylan, with Timothée Chalamet stepping beautifully onto the screen as the enigmatic musician. Set against the vibrant backdrop of the 1960s, the film has gained traction, not only for its star-studded premieres across cities but also for its portrayal of Dylan's tumultuous rise to fame and the artistic struggles he encountered along the way.
The excitement was palpable as the film's cast kicked off their press tour with a Los Angeles premiere, followed closely by events in New York and even London, where unexpected guest Tom Cruise made headlines by appearing at the screening. Chalamet's portrayal of Dylan has drawn both praise and scrutiny, particularly his stylistic choices reminiscent of the artist's own iconic looks.
Critics have had mixed reactions to A Complete Unknown. One prominent review noted, "A Complete Unknown will get your dad’s approval, but paints-by-numbers as a music biopic," pointing out its traditional storytelling style. The film depicts Dylan hitchhiking to New York to meet his idol, Woody Guthrie, and capturing the essence of the folk revival movement. But amid the nostalgia, some viewers find unmet potential for a more nuanced exploration of Dylan's multifaceted character.
Set against the vivid backdrop of the Newport Folk Festival riots, Chalamet's Dylan is shown grappling with the explosive pressures of heightened fame. One of the film's key moments occurs when Dylan stands before the crowd, electric guitar in hand, seizing the spotlight, only to face backlash from purists who long for his earlier, acoustic days.
This pivotal scene, both celebrated and critiqued, suggests much about the immense pressures faced by artists who dare to push boundaries.
On the subject of character dynamics, both Dakota Fanning as Sylvie and Monica Barbaro as Joan Baez navigate roles filled with love, passion, and frustration. Baez is depicted as both supportive and scolding, as she challenges Dylan to remain true to his roots. Critics assert this portrayal says more about the film’s reluctance to confront Dylan’s shortcomings than it does about Baez's real-life complexity. One critic poignantly summed this up: "The film points out some of Dylan’s flaws, but mostly packages them as quirks," reflecting the broader critique of the film's treatment of its subject.
Notably, the film features some stirring musical numbers, yet many assert it leans heavily on formulas familiar to biopics. "It presents the creative process almost lazily," remarked another reviewer, noting the simplicity with which Dylan’s songwriting moments are depicted — one chord strummed seamlessly transitions to the iconic hits like "Masters of War" and "Blowin’ in the Wind." This effect can feel more like background music than powerful examinations of artistic creation.
Throughout the film, we see Timothée Chalamet's embodiment of Dylan, showcasing not only his physical transformation but also his effort to capture the emotional turbulence of the musical legend. Audience reactions at premieres suggest they leave both entertained and curious about Dylan's legacy, but critics urge viewers to look beyond the surface. With the vibrant aesthetics of the '60s and star power pulling audiences, some fear the film might skimp on the challenging questions about authenticity and sacrifice.
While A Complete Unknown entertains, it also poses difficult questions about the complications of stardom. Viewers familiar with the larger narrative of Dylan's life may find the movie's approach to storytelling leaves much to be desired. It may win over casual viewers seeking enjoyable entertainment, but for those desiring depth, it might feel lightweight.
It remains clear, though, amid the mixed receptions, A Complete Unknown offers viewers access to the passionate and vibrant world of 1960s music, thanks to James Mangold's direction and the dynamic performances from its leading cast. The film encapsulates the era's essence. For newer audiences and Dylan enthusiasts alike, it may serve as both nostalgia and homage to the legendary artist, all the same, reminiscent of the struggles many young musicians face today.
All things considered, this film has evoked strong opinions on both sides of the spectrum, from those who enjoyed its lighthearted take on Dylan's beginnings to critics who yearn for more substantial commentary and depth. Critically comparing it to Todd Haynes’ earlier film on the artist, I’m Not There, it becomes evident A Complete Unknown offers entertainment without fully reckoning with the musician's complexity. For many, it may prompt exploration and reflection about the prolific artist himself.
