On May 16, 2025, audiences will be treated to a unique cinematic experience as Abel Tesfaye, better known as The Weeknd, unveils his psychological thriller, Hurry Up Tomorrow. The film, which also stars Jenna Ortega and Barry Keoghan, promises to be a journey of self-discovery, exploring themes of identity and introspection.
In an exclusive interview with Collider's Steve Weintraub, Tesfaye described the film as "experimental" and "subjective," emphasizing that it allows viewers to engage with a narrative that unfolds gradually, keeping them guessing until the very end. He portrays a fictional version of himself, a pop icon grappling with insomnia, who encounters a stranger, played by Ortega, who begins to unravel his character's psyche.
Co-written by Tesfaye, director Trey Edward Shults, and Reza Fahim, the film is not just a visual feast but also a musical one. Tesfaye shared that he penned several tracks during the filming process, which later inspired his recent studio album. This creative synergy between music and film is evident throughout the movie, with the sound design playing a crucial role in shaping its atmosphere.
During the interview, the cast discussed their favorite movie theaters, reflecting their love for the cinematic experience. Jenna Ortega expressed her fondness for the Los Feliz Theater and the recently reopened Vista, where she enjoyed the sound design of Zone of Interest. Barry Keoghan chimed in with his admiration for the New Beverly Cinema, recalling his experience watching Bullet there. Tesfaye also highlighted the IMAX on Del Rey as his favorite format, while Shults shared his appreciation for theaters in Austin, Texas, where he grew up.
One intriguing aspect of Hurry Up Tomorrow is its connection to the legendary filmmaker Stanley Kubrick. When asked about their favorite Kubrick films, the crew had varied responses. Keoghan picked A Clockwork Orange, while Tesfaye chose Full Metal Jacket. Shults revealed that Kubrick's work had a significant influence on him, particularly Clockwork Orange, which opened his eyes to the possibilities of cinema.
Ortega, who shares an intense scene with Keoghan in the film, described their collaboration as one filled with trust and spontaneity. "We just put a lot of trust in each other, and he's just incredible to play off of," she said, referring to their dynamic on set. Keoghan, who humorously referred to himself as a "big, huge wolf," echoed her sentiments about their chemistry.
The editing process of the film was also a topic of discussion. Shults noted that the editorial changes were minimal, with only about 30 minutes cut from the initial cut to the final version. The music, which Tesfaye described as another character in the film, played a significant role in the editing process, with the team working closely to ensure it complemented the visuals seamlessly.
As the conversation shifted to the film's thematic depth, Tesfaye remarked that the goal was to create a subjective experience for the audience. He stated, "We wanted it to really feel subjective from the jump," suggesting that viewers would have the freedom to interpret the film in their own ways. Shults added that he loves movies that provoke reflection and allow for personal interpretations, reinforcing the film's open-ended nature.
Ortega emphasized the importance of creating a film that sparks conversation, stating, "My favorite movies are the ones that create conversation, and I think that this is one of those films that does that." She highlighted the film's ability to evoke a universal feeling, making it relatable even for those who may not have experienced the specific situations portrayed.
In addition to his work in Hurry Up Tomorrow, Barry Keoghan is making headlines for his upcoming role as Ringo Starr in a biopic directed by Sam Mendes. Keoghan recently shared his experience meeting the legendary drummer, who played the drums for him during their encounter. "I met him at his house, and he played the drums for me," Keoghan recounted on Jimmy Kimmel Live. Despite his nerves, he was determined to observe Starr's mannerisms closely, stating, "My job is to observe and kinda take in mannerisms and study him."
Keoghan's portrayal of Starr is part of a larger project that will feature separate films for each member of The Beatles, with Paul Mescal as Paul McCartney, Harris Dickinson as John Lennon, and Joseph Quinn as George Harrison. Mendes announced that these films will be released simultaneously in April 2028, offering a unique perspective on the iconic band.
As excitement builds for both Hurry Up Tomorrow and the Beatles biopics, fans can look forward to a rich tapestry of storytelling that explores the complexities of identity, artistry, and human connection. With Tesfaye's innovative approach to filmmaking and Keoghan's dedication to capturing the essence of Ringo Starr, the upcoming releases promise to leave a lasting impact on audiences.
In the world of cinema, where storytelling is constantly evolving, Tesfaye and Keoghan are carving out their unique paths, pushing boundaries, and inviting viewers to engage with their art in profound ways. As the release dates approach, the anticipation only grows, making it an exciting time for film enthusiasts everywhere.
