Tatyana Brukhunova, the wife of renowned Russian comedian Evgeny Petrosyan, has made headlines by categorically denying rumors that she lives in an apartment formerly owned by Petrosyan's ex-wife, Elena Stepanenko. In a recent video message to her followers, Brukhunova addressed these unfounded claims that she had allegedly decorated Stepanenko's apartment with what some have described as tasteless trinkets.
In her response, which she shared on March 20, 2025, Brukhunova asserted, "I dare assure you, I have never lived in an apartment that was ever associated with Elena Grigorievna Stepanenko." This statement comes amidst a flurry of media speculation regarding the couple's living arrangements and personal life.
Brukhunova elaborated that she resides in her own apartment located in Moscow, specifically on Lesnaya Street, where she lives with Petrosyan and their two children. The couple has been married since 2020, and Brukhunova emphasized that she has never occupied Stepanenko's property, dispelling claims that her home décor has adversely affected any shared spaces.
She expressed frustration over the increasing number of rumors circulating about her, stating, "In the last two to three weeks, the number of fake accounts in the media has grown to such an extent that I don't want to remain silent." Her passion was evident as she combated the narrative circulating about her personal life, asserting her independence in her own home.
Moreover, Brukhunova addressed the backlash regarding her taste in home design, a subject that has evidently gained traction in the tabloids. She dismissed claims that her decoration choices have affected Petrosyan's living environment, mentioning, "I am living in my own home and have never been on foreign territory. The trinkets are mine!" This assertive stance showcased her wish to reclaim her narrative amid public scrutiny.
The backdrop to her current situation is rooted in the long-standing history of Petrosyan's previous marriage to Stepanenko, which lasted 28 years before their divorce in 2018. This has left both Petrosyan and Brukhunova under constant media examination, particularly regarding the contrast between Brukhunova's youthful vibrancy and Stepanenko's legacy as a popular comedienne.
Brukhunova's marriage to the 79-year-old Petrosyan has been the subject of public interest ever since they tied the knot. Since marrying, the couple welcomed two children, Vagan and Matilda, in 2020 and 2023, respectively. Just recently, reports emerged about Petrosyan's hospitalization; however, Brukhunova quickly alleviated concerns by confirming that he was simply undergoing routine health checks and was not in critical condition.
On March 9, Brukhunova announced that Petrosyan's condition was stable after being discharged from the hospital. Days later, she shared an image of her husband happily playing with their son, providing a glimpse into their family life amidst the swirling rumors and speculations.
Ultimately, Brukhunova's proactive measures in addressing the rumors signify her determination to control the narrative that surrounds her. The recent influx of media attention surrounding her family's life demonstrates how public figures constantly navigate the scrutiny that accompanies their visibility in the entertainment industry.
In an era where social media heightens public awareness and scrutiny of celebrities, Brukhunova’s experience serves as a reminder of the complexities involved in managing personal life against a backdrop of relentless public interest. Her upbringing, yet unyielding, showcases both a commitment to her family and the personal trials she faces as she continues to carve out her own identity in the public eye.
The media’s portrayal of Brukhunova and her marital life illustrates the broader narrative about modern celebrity marriages, especially concerning older partners. As audiences become increasingly invested in the personal narratives of famous figures, Brukhunova’s responses reveal the ongoing challenges that come from marrying into a legacy while trying to assert one’s individuality.
As her story continues to evolve, it will be interesting to see how Brukhunova further delineates her own identity away from the shadows of Petrosyan’s previous life and the ongoing comparisons to Stepanenko.
