Taiga Drama Beraboh Captivates Audiences With Rich Cultural Tapestry

The 12th episode of the Taiga Drama "Beraboh" titled 'A Wisp of Moonlight' has captivated audiences with its enchanting portrayal of the divine disappearance of 'Niwa-ka'. The drama beautifully illustrates the harmony between the wild and the gentle, showcasing a unique blend of storytelling that resonates deeply with viewers.

Scripted by Yoshida Reiko, the episode features Utsusemi, played by Kaho Komiya, who embarks on a heartfelt journey searching for her love, Shinnosuke, over the course of a 30-day festival. The narrative unfolds in the vibrant setting of Yoshiwara during autumn, where the festival atmosphere allows for a remarkable expression of emotions and connections.

During the festivities, Tsutaya Juzaburo, portrayed by Ryohei Otani, engages in a Norinori performance, a traditional form of entertainment that draws crowds. The drama captures a pivotal moment when Utsusemi, despite her longing, hesitates to move forward when her love interest appears. In a moment of encouragement, Matsunoi, played by Rio Asari, pushes Utsusemi to embrace happiness, stating, "A divine disappearance is common during festivals. Be happy." This sentiment encapsulates the spirit of the festival and the connections formed during such magical times.

One of the highlights of the episode is the 'Ochō', a spectacular event featuring a mix of impromptu skits and dances performed by the skilled artists of Yoshiwara alongside townsfolk. This grand spectacle not only entertains but also allows general women to freely enter and exit, creating a perfect opportunity for a 'leg pull', a term used to describe a romantic escape.

Among the various attractions, the most popular act is undoubtedly 'Sukeroku'. The character Sukeroku, who frequents Yoshiwara for a specific purpose, becomes the center of attention as he receives kiseru from the courtesans. His famous line, "It's like a rain of kiseru," has become iconic, symbolizing the allure and excitement of his escapades.

The episode also delves into the story of 'Kotobuki Soga no Taimen', closely related to Sukeroku, which draws inspiration from the 'Soga Monogatari'. This narrative is set against the backdrop of Yoshiwara, featuring Sukeroku (Soga no Goro) and the courtesan Agemaki, further enriching the drama's tapestry.

Beyond the personal stories, the episode emphasizes the news value and instantaneous power of Katsukawa Shunsho, played by Tomoya Maeno. Shunsho's artistic prowess shines as he captures the unprecedented activities of 'Ochō', showcasing the dynamic cultural scene of Edo. His collaboration with Torii Kiyomitsu on original scripts reflects the vibrant artistic community of the time.

In a notable twist, Tsutaya proposes publishing ink-rubbed booklets instead of multicolored nishiki-e, focusing on immediacy and live experiences rather than elaborate prints. This decision underscores the innovative spirit of the era and the desire to capture the moment's essence.

The drama also features a captivating dance battle of Suzume Odori, showcasing the fierce and skillful performances of two groups from the Nishikawa and Fujima schools. This competition not only serves as a thrilling spectacle but also highlights the rich tradition of Japanese dance.

As the narrative unfolds, the life of Tsutaya Juzaburo, known as the "Media King of Edo", comes to the forefront. His journey from humble beginnings to becoming a prominent figure in the publishing world is a testament to the cultural prosperity of the mid-Edo period. The episode illustrates the challenges Tsutaya faces, including a crackdown by the shogunate on current theater, which leads to his temporary arrest alongside other performers.

Despite the setbacks, Tsutaya's resilience shines through as he considers the possibility of opening his own store after hearing about a vacant space on Gojukken-dori from Daibunjiya. This entrepreneurial spirit reflects the broader themes of ambition and creativity that permeate the drama.

In a subplot, Utsusemi's story intertwines with the invention of the "health equipment" Elektel, which she learns is ineffective from Ine, a courtesan from Matsuba-ya. This revelation leads Tsutaya to visit the inventor, Gennai Hiraga, who attributes the product's failure to the manufacturing issues caused by townsman Yaichi. This subplot adds depth to the narrative, illustrating the interconnectedness of various characters and their pursuits.

The 12th episode of "Beraboh" not only entertains but also serves as a cultural exploration of Edo's artistic landscape. It captures the essence of the time, weaving together the lives of its characters against a backdrop of vibrant festivals, love, and ambition.

As the drama continues to unfold, viewers are left eagerly anticipating the next episode, which promises to delve deeper into the complexities of Tsutaya's life and the rich tapestry of Edo culture. With each episode, "Beraboh" solidifies its place as a captivating exploration of history, art, and the human experience.