SZA, the acclaimed US singer-songwriter, recently took to the stage at Glastonbury 2024, leaving behind mixed reviews and reflections of her experience. Known for her powerful tracks like "Kill Bill" and "Kiss Me More," the performer, whose real name is Solána Imani Rowe, expressed her feelings about headlining the iconic festival, admitting she felt "scared" and "freaked out" throughout her set.
Her performance unfolded against the backdrop of technical issues. During the first 30 minutes, SZA's microphone was muffled, rendering her nearly inaudible. Although the quality improved later on, parts of her performance were still marred by distortion. This led to observers noting the relatively sparse crowd she drew compared to other headline acts of the festival, such as Dua Lipa and Coldplay.
Reflecting on the occasion, SZA told British Vogue, "I just felt like nothing I could do would be enough for Glastonbury, no matter what I did. It scared me. I was like, well, I wish I wasn’t doing it, but I couldn’t walk away from it." Her statement echoed the struggles faced by artists when expectations are heightened, especially as she became the second Black woman to headline Glastonbury, with Beyoncé having graced the main stage back in 2011.
Describing her experience on-stage, she also mentioned the immense pressure stemming from her status and the inherent criticism waiting for high-profile performers. "It’s such a tall order," SZA remarked. "No matter what you do here, you will be subject to criticism because of who you are. But that's life. That’s life, you know?" Her performance began under the weight of these feelings, intensified by the visual emptiness of the field when she looked out.
"I’m like, I’m freaked out right now," SZA recalled. "I feel like I’m drowning on stage and I feel like I’m failing." Such sentiments reflected the anxiety many artists feel, especially when they sense the audience's perception may not align with their efforts. To combat her nerves, SZA sought inspiration from her spirituality, claiming she received guidance from the African goddess Yemayá during her performance. "It was a reminder your guardians are with you. Everyone’s here. Even beyond. Keep going," she said.
Despite the challenges faced, including the technical hiccups and low turnout, critics applauded her set, underscoring her artistic prowess and the unique elements she incorporated. SZA staged her act inside what looked like a mossy grotto, and she performed atop a giant mechanical beetle, gracefully ascending on her fairy wings. Such theatricality was noted by various reviewers, with commentary on the choreography and presentation predominantly leaning toward praise.
The Guardian hailed SZA's set as "peculiar" yet "hugely rewarding," recognizing the artistic vision underpinning her performance. The Independent awarded SZA four stars, applauding her ability to create intimate moments even amid the grandiosity expected of headlining performances.
Despite the audience's apparent disinterest, SZA's choices on stage conveyed passion and commitment toward her art. She shared intimate stories through her lyrics and danced through the struggles depicted, crafting an engaging experience both for herself and those present. Critics noted her power as both a vocalist and performer, even as the venue's Pyramid Stage appeared ill-suited for her elaborate show.
"You can feel her yearning for connection, and she channels this energy seamlessly through her music," one reviewer noted, emphasizing how SZA made the most of the space available, turning the sparsity of the crowd from a hindrance to a unique sharing experience among those who did attend.
Initially, rumors suggested SZA was elevated on the bill after another US artist withdrew from the lineup, which may have set unrealistic expectations. Despite the quieter turnout for her show, her performance left significant impressions, establishing her place within the Glastonbury legacy.
Besides her festival performance, SZA offered insights during interviews about her future projects. She discussed her upcoming third album,
lana, indicating it would deviate from the anxiety-filled themes of her previous records, focusing instead on healing and beauty. "I’m not identifying with my brokenness. It’s not my identity," she stated, alluding to her growth and the progress made since her debut. Her music is shifting as she embraces lighter themes, aiming to radiate positivity through her art.
Even after the mixed reviews of her Glastonbury performance, the artist continues to resonate with listeners worldwide. With multiple Grammy awards and accolades under her belt, SZA remains one of the most formidable voices shaping the music industry today.
Looking forward, ticket sales for Glastonbury 2025 have already generated excitement, with coach and ticket packages disappearing within minutes, reflecting the festival's enduring allure. Fans eagerly anticipate another round of electrifying performances, potentially from SZA and other high-profile artists like Eminem, Olivia Rodrigo, and Sam Fender.
SZA's candid reflection on her Glastonbury experience showcases the emotional and technical challenges artists face as they navigate immense platforms. Through each struggle, she draws strength from the support around her, as evidenced by her commitment to grow creatively and connect emotionally with listeners.
