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Arts & Culture
01 May 2025

Suriya Shines In Karthik Subbaraj's Ambitious Retro

The film blends action, romance, and social commentary in a layered narrative

In the vibrant world of Tamil cinema, director Karthik Subbaraj has once again made waves with his latest film, Retro, starring the charismatic Suriya and the talented Pooja Hegde. Released on May 1, 2025, this film promises a blend of action, romance, and comedy, all while tackling deeper themes of purpose and identity.

Set against a backdrop that oscillates between the gritty underworld and the serene landscapes of the Andaman Islands, Retro begins with a philosophical question: What is the purpose of life? This inquiry is woven through the life of Paarivel Kannan, affectionately known as Paari, portrayed by Suriya. Raised by the gangster Thilagan (Joju George), Paari struggles with his identity as he grapples with the violent life imposed upon him.

The film opens with a narration about Lord Krishna, setting a mythological tone that resonates throughout the narrative. Paari's journey begins under the watchful eye of Thilagan, who sees him merely as a tool for his criminal enterprises. However, everything changes when Paari decides to abandon his life of crime for love, specifically for Rukmini (Pooja Hegde), a veterinarian who represents his chance at redemption.

The tagline of the film, 'Love, Laughter, and War,' encapsulates the essence of Retro. While the first half of the film is punctuated by humor and romance, highlighted by a spectacular 15-minute single-shot sequence featuring the catchy 'Kanimaa' song, the second half takes a darker turn, leading the characters to the treacherous Black Island.

On Black Island, ruled by the tyrannical duo of Mirasdar (Nassar) and his son Michael (Vidhu), Paari faces a new set of challenges. The film shifts gears dramatically, transforming into a chaotic mix reminiscent of Mad Max meets The Hunger Games. This transition has drawn mixed reactions from audiences and critics alike, with some praising the ambitious storytelling while others find it overwhelming.

Despite the film's uneven pacing, Suriya's performance remains a standout. His portrayal of Paari is both nuanced and powerful, capturing the character's internal struggles and emotional highs. Critics have noted that Suriya's ability to convey depth through his expressions, especially in moments of vulnerability, is a testament to his acting prowess.

While the film's first half successfully establishes the romantic tension between Paari and Rukmini, the latter's character arc has faced criticism for lacking development. Rukmini's motivations often feel underexplored, leading to moments where her reactions seem disconnected from Paari's tumultuous journey. Nevertheless, Pooja Hegde's performance has been praised, particularly in scenes that showcase her emotional range.

Subbaraj's signature style, known for its quirky elements and layered storytelling, is present throughout Retro. However, some critics argue that the film suffers from an overabundance of ideas, which can dilute the impact of its central themes. The incorporation of political commentary, particularly regarding the Eelam issue, adds a layer of complexity but risks overshadowing the film's primary narrative.

As the story unfolds, the audience is treated to a series of unexpected twists, including the introduction of a 'Golden Fish' worth crores, which serves as a catalyst for much of the conflict. This plot device, while intriguing, has been viewed by some as a distraction from the film's deeper messages.

In terms of technical execution, Retro shines. The cinematography by Shreyaas Krishna, combined with the energetic score by Santhosh Narayanan, elevates the film's aesthetic appeal. The action sequences are well choreographed, and the background score enhances the emotional weight of key moments.

However, the film's indulgent nature has also been a point of contention. Critics have noted that while Subbaraj's ambition is commendable, the film occasionally feels overstuffed with ideas and subplots, leading to a lack of cohesion in the storytelling. This is particularly evident in the second half, where the narrative struggles to maintain momentum.

Ultimately, Retro is a film that showcases Suriya's immense talent while exploring significant themes about identity and purpose. Despite its flaws, it offers a unique cinematic experience that blends action, romance, and social commentary. As the film concludes, audiences are left pondering their own purposes in life, a testament to Karthik Subbaraj's ability to provoke thought through entertainment.

With a rating of three stars, Retro may not be without its challenges, but it undoubtedly stands as a testament to the evolving landscape of Tamil cinema, where stories of redemption and self-discovery take center stage. As viewers leave the theater, they are reminded of the complexities of life, love, and the choices that define us.