Stephen Soderbergh has ventured again outside traditional cinematic territories with his latest horror film, titled 'Presence'. Released to the public recently, the film has made waves not for the expected thrills often associated with the genre but rather for its unique narrative perspective and emotional depth.
Starring Lucy Liu and Chris Sullivan, the film tells the story of a family relocating to a new home, only to discover they are not alone. The narrative intricately explores not just the haunted house trope but delves deeply with the lens of the supernatural, particularly how unresolved grief can manifest itself. 'Presence' opts for atmosphere over jump scares, focusing heavily on the psychological over the sensational.
Filmed almost entirely from the ghost's view, the camera mimics the perspectives of both the living and the deceased. Reviewers have noted how this technique plays on the feelings of intrusion and unease, heightening the sense of being watched or haunted. Indeed, as one observer remarked, "It’s shot entirely from the point of view of the ghost, giving it a unique narrative perspective." This creates a palpable tension, inviting viewers to reflect on their own experiences with loss and remembrance.
Initially challenging the preconceptions about horror films, Soderbergh's project calls to mind the questions raised about the nature of presence itself—how memories and grief can feel palpable, even when tied to those who are no longer with us. Critics noted, "Soderbergh's intention seems to be to craft tension through atmosphere rather than conventional frights," indicating how the film seeks to unsettle rather than terrify.
Industry insiders have lauded Soderbergh for his innovative approaches across his career—from the Ocean’s Eleven franchise to the gripping narrative of traffic. Here, he merges his traditional storytelling with compelling character arcs rooted deeply within the themes of familial relationships and the direct consequences of grief. Johnson’s review stated, "Soderbergh is known for his creative experiments, and 'Presence' is no exception," recognizing the director's prowess for fusing artistic vision with emotionally touching stories.
While some audiences may approach 'Presence' expecting the thrills characteristic of horror films, they may find themselves gazing instead at the quiet anguish of the characters. One critic emphasized, "The film is not what it claims to be—a typical horror but more of a psychological exploration." This unique angle situates 'Presence' away from the typical horror map, benefiting from thoughtful dialogue and performances.
Inside their new home, the family experiences small disturbances, leading to more significant realizations about their emotional baggage. The character of Chloe, played by Sullivan’s real-life family member, reveals the turmoil connected to her grief for her deceased friend—a poignant exploration of how loss can haunt those still living. Each member navigates their traumas quietly, providing layers to the film's emotional texture.
Soderbergh also indulges his audience in creative cinematography, having filmed the entire piece with small cameras to yield intimate visuals. The family dynamics express the subtle nuances of emotion, which resonates with viewers on personal levels. Moving the lens, characters reveal their seething distress, and the ghost appears almost timid, hiding at the edges of the frame until the plot thickens.
The reception for 'Presence' has elicited varied responses. Some viewers applauded it for its emotional honesty, making it accessible to audiences who appreciate horror not through terror but via compelling storytelling and character depth. One genre analyst noted, "Sodbergh's latest work navigates past expected genre formulas, seeking poignancy instead of mere shrieks."
Overall, Soderbergh’s 'Presence' provides not just chills but also contemplation on memory, loss, and connection—embodying the spirit of someone who may never leave, not really. While perhaps not the traditional horror film many may be seeking, it offers enough reflective prompts to merit consideration and engaging discussions on familial bonds and the traumas we carry.