Stefan Raab, a familiar name in the realm of Eurovision, has returned to once again shepherd Germany to victory at the Eurovision Song Contest (ESC) 2025, with a focus on captivating charisma over mere vocal prowess. Raab, who has been instrumental in shaping the German entries at the ESC, strikingly emphasizes that it's not just about how well an artist sings but rather about the persona they bring to the stage. This was made clear during the recent German preliminary decision, titled "Chefsache ESC 2025," where Raab served as both mentor and juror.
According to Raab, the critical element that can elevate a performer to the winner's podium is what's often referred to as 'aura.' He stated, "Das nennt man heute, glaube ich, Aura. Das heißt du musst etwas haben, dass die Leute anspricht." Here, he asserts that the ability to engage the audience and leave a lasting impression surpasses technical singing ability or dance skills. Thus, the challenge for contestants becomes not only to perform but to enchant.
This year, the honor of representing Germany falls to the Austrian sibling duo, Abor and Tynna, also known as Attila and Tünde Bornemisza, with their song "Baller". Raab is adamant about Germany reclaiming its prestigious spot in the contest, having suffered a series of disappointing placings in recent years, which he firmly aims to change. Their song has already made waves, climbing to number one on Spotify's "Viral 50" chart.
"Dass wir mit 'Baller' bei der Vorausscheidung antreten, war tatsächlich nicht unsere Idee," Tünde remarked, explaining how Raab's pivotal role helped steer them towards what he believed to be a more competitive song. Abor and Tynna had initially planned to enter the contest with another song in English, but Raab discovered their TikTok posting of "Baller" and urged them to pivot. Tünde recounted, "Er hat dann auf TikTok unser Posting zu 'Baller' gesehen...und gesagt hat: 'Nehmt doch diesen Song'." The siblings took his advice to heart, leading them to this point in their career. Raab’s direct involvement showcases his keen eye for talent and timing, aligning perfectly with the contest's landscape.
While the song has garnered buzz, it has not been without controversy. Despite the initial excitement, some fans expressed disappointment over the choice, wishing for a different representation. Raab's mission is clear: he wants nothing less than victory. He has stated, "Ich will gewinnen, das ist das Einzige, das mich interessiert." His unapologetic approach leaves little room for complacency as Germany prepares for the stage in Basel this May.
Abor and Tynna’s background is a fascinating contrast with Raab’s decades of career. Born in 1998 and 2000, the siblings represent a new wave of talent, and interestingly, in an interview, they admitted that they were only vaguely familiar with Raab before this experience. Tünde shared, "Nur vom Namen her." Abor added, "Ich kannte ihn nur vage von 'Schlag den Raab'." Their familiarity with Raab, primarily a name rather than a legacy, points to a generational divide that raises intriguing questions about their collaboration.
Yet, both newcomers trust Raab’s judgment, aware of his formidable experience and success at the ESC, having previously guided contestants to high profiles. Tünde noted, "Er hat mit dem ESC viel Erfahrung, hat selbst teilgenommen und mit Lena Meyer-Landrut gewonnen," emphasizing the significance of his mentorship in their journey.
As preparations for their performance intensify, Abor and Tynna are working closely with Raab to deliver a memorable act that embodies their artistic vision while also adhering to Raab's strategic insights. Their trust in his expertise reveals a harmonious collaboration across generations, despite their initial unfamiliarity with one another.
The siblings’ hard work is intensified following their change in direction, as they aim to craft a performance that will not only showcase their talent but also connect with the audience in a profound way. Tünde summed up their experience with Raab, saying, "Er hat viele kreative Ideen, und zusammen planen wir eine ESC-Performance, die seinen und auch unseren Ansprüchen gerecht wird." This optimism blends with their understanding that every aspect of their presentation must resonate with the public.
As the ESC 2025 approaches, anticipation builds not just for the outcome, but also for a performance that will reflect the new vision Raab has for Germany at the contest. While the German music scene strives to recover from past failures, Raab's leadership points towards a promising future fueled by vibrant energy, creativity, and the ever-critical connection with the audience. The combination of Abor's and Tynna's fresh talent and Raab's experienced hand may just be the secret recipe for a triumphant return to glory in the Eurovision Song Contest.
