For the first time in its 900-year history, girls will form part of the choir performing at the Christmas Day service at London’s majestic St. Paul’s Cathedral. This momentous occasion marks not just progress for the historic institution, but also reflects broader changes within church music across the nation.
The choir, made up of both adult and child choristers, will perform on Christmas Day under the impressive 365-foot dome of St. Paul’s, which was expertly crafted by architect Christopher Wren after the Great Fire of London. This beautiful structure, completed in 1711, holds great significance within the city and is emblematic of resilience, particularly noted for its survival during the extensive bombings of World War II.
The first two girls to officially join the prestigious choir, Lila, 11, and Lois, 10, were welcomed as full members after successfully completing their probationary period. Having undergone rigorous training, they stood poised and ready to sing during one of the most celebrated services of the year, fulfilling their historic roles.
The decision to finally admit girls to the choir has been celebrated widely. The Very Revd Dr. David Ison, Dean of St. Paul’s Cathedral, stated, “It has been a long-held ambition to introduce girls’ voices... Doing this will create an exceptional new music opportunity for young people.” His sentiments highlight the importance of equal representation within church music and the opportunities it affords young girls.
This change is part of St. Paul’s wider effort to modernize and adapt, aligning with other leading cathedrals—like Salisbury and York Minster—that have successfully integrated female choristers. An announcement made back in May 2022 had outlined plans for this monumental shift, emphasizing the commitment to providing equal opportunities for both girl and boy choristers.
The Right Rev Dame Sarah Mullally, the Bishop of London, expressed her delight as Lila and Lois made their debut. She remarked, “It is a great joy to welcome Lila and Lois... It was moving to see the culmination of their hard work and gifts on show.” This highlights the inspiration their involvement may provide to other young girls aspiring to join such storied traditions.
The cathedral has committed to ensuring scholarships would be equally available for both genders, promoting fairness and inclusion as they navigate this historic transition.
Despite the excitement, the integration of female voices isn't entirely new to the choir. Carris Jones made waves back in 2017 as the first woman to become a full-time chorister. Reflecting on her experience, she noted, “It wasn’t just for me, it was for lots of my other female colleagues as well. I feel very lucky to be joining a choir...that has been so eager to get women involved.” Her comments shed light on the gradual changes taking place within the cathedral, setting the stage for future inclusivity.
The Christmas Day service at St. Paul's is one of the most important events on the cathedral's calendar, drawing thousands each year. The enthusiasm sparked by this event is palpable, with services attended not only by congregants but also by dignitaries and public figures, making for highly special occasions.
St. Paul’s is not just known for its breathtaking architecture and significant events. It is also the final resting place for many notable figures, such as Adm. Horatio Nelson and the Duke of Wellington. This rich history adds to the weight of the occasion and now, with the inclusion of female voices, the choir has stepped firmly onto the path of modernity and inclusiveness.
The choir rehearsal on Monday before the Christmas service suggested readiness and excitement among the young choristers. The anticipation for this momentous day on December 25, 2023, now looms large, symbolizing not only the birth of Christ but the birth of new traditions and opportunities within the sacred space of St. Paul’s Cathedral.
Indeed, the addition of girl choristers at St. Paul’s Cathedral is not merely about singing; it marks the breaking down of barriers within one of the most prestigious music institutions, ensuring both equality and enriched contributions to the choir’s venerable history.
