Steven Soderbergh's latest cinematic endeavor, titled Presence, defies conventional horror genre norms by focusing on the emotional troubles of family life through the unique lens of the supernatural. The film, which is slated for release this week, intertwines the palpable discomfort of a haunted house with the delicate unraveling of familial bonds.
At the story's center are Rebecca (played by Lucy Liu) and Chris (Chris Sullivan), along with their two children, Tyler (Eddie Maday) and Chloe (Kalina Liang). Initially, the family appears to be ordinary, but their move to a new home triggers chilling events as they grapple with both internal turmoil and the malevolent forces lurking around them.
Critically, the film is framed through the perspective of the ghost haunting the family’s new abode. This innovative choice transforms what could be another cliché haunted house story, allowing audiences to deeply engage with the emotional experiences of the characters, particularly Chloe, who is coping with the recent loss of her best friend.
The technique of shooting from the ghost's viewpoint evokes feelings akin to playing through life as if one were a character within a video game. The camera, operated by Soderbergh himself, flits throughout the house, offering glimpses of family interactions and the eerie presence who silently observes their life and struggles.
Soderbergh, known for his versatility and experimental approach to filmmaking, brings this unique premise to life with the help of screenwriter David Koepp, who skillfully intertwines psychological tension with supernatural elements. "This film offers an innovative perspective by showing the events through the ghost's eyes, adding depth to traditional horror tropes," noted various film critics, underscoring the film's potent blend of genres.
The dynamics within the family add intricacy to the haunting narrative. Rebecca assumes the role of the strict matriarch, preoccupied with her success, painfully oblivious to Chloe's emotional struggles. The dichotomy of familial relationships takes center stage, as the ghost’s watchfulness highlights the disconnect among family members. Critics have commented, "Soderbergh highlights the disconnection within the family structure, making the supernatural elements serve as metaphors for their struggles," which serves to heighten the film's psychological depth.
Visually, Presence juxtaposes moments of normalcy with growing unease, cleverly building suspense through long takes and naturalistic dialogue. This framing paves the way for unsettling revelations and unexpected turns as the story progresses.
The familiar trope of the haunted house becomes something entirely new; instead of following the well-worn path of horror film conventions, Soderbergh is less concerned with inducing fear than with exploring the textures of human relationships. This shift marks Presence as not only scary but also insightful, acting as both thriller and earnest examination of family life.
For audiences seeking their traditional dose of horror, it is worth noting the promotional material—which emphasizes the film’s supernatural elements—does not encapsulate the entirety of Soderbergh’s artistic vision. This is not merely another film about ghosts; it is, fundamentally, about grief, loss, and the very human need for connection.
With the release of Presence, Soderbergh once again challenges genre boundaries. It promises to leave viewers with more than just the chills expected from horror films—it invites them to ponder the haunting realities of family connections. The film stands not only as entertainment but as commentary on the dynamics and fractures present within modern households, making it one of the more thought-provoking entries this season.