Netflix’s latest crime thriller, Dept Q, has swiftly captured viewers' attention with its gripping narrative and atmospheric setting. Created by acclaimed American writer and director Scott Frank, the nine-episode series adapts Danish author Jussi Adler-Olsen’s novel Mercy and relocates the story to the evocative cityscape of Edinburgh, Scotland. This bold move to transplant a Scandinavian crime story into a Scottish context adds a fresh layer of intrigue and character to the noir genre, making Dept Q a standout in the crowded field of detective dramas.
At the heart of the series is Detective Chief Inspector Carl Morck, portrayed by the versatile English actor Matthew Goode. Morck is far from your typical detective; he is a caustic, sardonic loner who defies authority and often flouts the rules. The series opens with a harrowing incident where Morck and his partner, Detective Inspector Hardy (played by Jamie Sives), are ambushed by a masked gunman, an event that leaves lasting repercussions and sets a dark tone for the unfolding mystery. Morck’s character is richly textured—he’s not just a tough cop but also a man grappling with trauma and personal demons, which adds depth to the narrative.
Adding to Morck’s complexity is his choice of vehicle: a maroon-colored Ford Sierra that is as battered and eccentric as he is. Goode has humorously remarked on the car’s quirks, sharing in a Scottish Sun interview, “Occasionally I would turn the car off and walk away, and I’d hear it start up again, ha! I’d have to go over and give it a kick.” This small detail perfectly encapsulates Morck’s rough-around-the-edges persona and the series’ attention to character-driven storytelling.
Morck’s journey is supported by his new assistant, Akram Salim, played by Alexej Manvelov. Akram is a soft-spoken, respectful figure with a mysterious past, having come to the UK from Syria after enduring unspecified hardships. Though not a policeman by training, Akram’s exceptional talents and quiet intelligence prove invaluable. His relationship with Morck is one of the series’ most compelling dynamics, blending tension, respect, and subtle camaraderie. Akram is instrumental in steering Morck toward the central case of the series: the disappearance of lawyer Merritt Lingard (Chloe Pirrie) four years earlier. Lingard’s story is fraught with dark family secrets and criminal intrigue, and Pirrie’s portrayal lends the character a haunting resilience that resonates throughout the series.
Scott Frank’s creative vision shines through in how he uses Edinburgh not just as a backdrop but as a character in its own right. Influenced by producer Rob Bullock, Frank was determined to portray the city authentically, capturing its inherent beauty and atmospheric charm alongside the darker themes of the story. The Scottish setting enriches the narrative, offering viewers a vivid sense of place that complements the noir mood. Frank’s admiration for Scandi Noir and British crime dramas like Happy Valley and Broadchurch is evident, as he infuses Dept Q with a similar blend of character-driven storytelling and subtle humor.
Technically, the series employs some distinctive stylistic choices. One notable example is the use of a different aspect ratio in a particular segment of the show, a deliberate decision designed to immerse viewers in a character’s isolated perspective. Additionally, the first episode’s non-linear narrative structure creates a clever “aha” moment, engaging audiences with its misdirection and layering of storylines. These elements demonstrate Frank’s skillful blending of cinematic techniques with episodic storytelling, a talent honed through his work across both film and television.
The supporting cast enriches the series with strong performances that add depth and variety. Kelly Macdonald brings nuance to the role of Dr. Rachel Irving, the psychiatrist assigned to help Morck cope with his trauma, while Leah Byrne shines as DC Rose Dixon, an eager young officer given a chance to prove herself. Dickie’s portrayal of Jacobson adds pragmatic grit to the ensemble, rounding out a group capable of delivering powerful interactions even in moments of silence.
While the series is praised for its rich atmosphere and compelling characters, some critics note that its pacing can drag, especially in the final episodes where the resolution unfolds slowly and predictably. The nine-episode format sometimes feels padded, with an abundance of atmospheric shots and a lengthy roster of characters that may test viewers’ patience. Nevertheless, the overall narrative arc and performances maintain enough momentum to keep audiences invested.
The mystery at the core—who kidnapped Merritt Lingard?—is a taut thriller element that keeps viewers guessing. The layered storytelling, combined with timely humor and a charismatic cast, recalls the appeal of cult favorites like Mindhunter. Fans of crime dramas will appreciate the series’ balance of dark themes with moments of levity and human connection.
Looking ahead, Scott Frank has expressed hope that Dept Q will extend beyond its initial run, envisioning five or six seasons that could adapt the remaining nine novels in Adler-Olsen’s series. Given the strong foundation laid by this first season and the rich source material available, there is ample potential for the show to grow into a long-running fixture on Netflix’s crime drama roster.
In sum, Dept Q is a promising addition to the detective noir genre, skillfully blending international literary roots with a distinct Scottish flavor. Matthew Goode’s magnetic performance as Carl Morck anchors a story that is as much about flawed humans as it is about crime and justice. With its atmospheric setting, intricate plotting, and a cast that brings depth and nuance, the series invites viewers into a world where place and character are inseparable, and mysteries unfold with both suspense and heart.
