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28 December 2024

Russia Releases Disturbing Video Of Santa Claus Being Shot Down

The controversial pro-Kremlin video evokes outrage following the Azerbaijan Airlines crash.

A bizarre video recently surfaced on pro-Kremlin social media channels showing Santa Claus being shot down by Russian air defenses, igniting outrage and debate online. The video was released on December 27, 2023, just days after the tragic crash of an Azerbaijan Airlines flight, which resulted in the deaths of 38 people and raised suspicions about Russian military involvement.

The video features the English-speaking Santa Claus enthusiastically proclaiming, "Ho, ho, ho! Hi Russians, here are your presents. Happy New Year!" as he flies over Moscow. While carrying gifts adorned with NATO logos, the festive scene quickly turns hostile as he is struck by a missile. The aftermath shows Ded Moroz, the Russian equivalent of Santa, sitting with military personnel as they celebrate the destruction of the Western Santa.

"You too grandfather. Happy New Year to everyone," replies the operator after Santa's demise, who is then reassured by Ded Moroz's chilling statement: "Right! We don’t need anything foreign in our skies. Happy New Year!" This prompt from the Russian Santa starkly contrasts with the lighthearted Christmas theme typically associated with Santa Claus.

The timing of the video release is troubling. Just two days prior, details emerged about the crash of the Azerbaijan Airlines plane, which is speculated to have been shot down by Russian anti-aircraft systems. Initial investigations indicated external influences might have caused the aircraft's damage, leading many to question the Russian government's role.

Geopolitical analyst Irina Tsukerman weighed in on the controversy, asserting, "It is obvious the shooting of Santa Claus would not be taken well by anybody and positions Russia as belligerent, unkind, and humorless." Following the tragedy, she believes the bizarre portrayal of violence against Santa Claus serves as both propaganda and intimidation, showcasing Russia's willingness to assert dominance even during delicate international circumstances.

The video has sparked criticism, highlighting the troubling trend of using festive imagery to convey aggressive nationalist messaging. For example, the Ukraine Center for Countering Disinformation remarked, "Russian paranoia about the 'NATO threat' has reached new heights," indicating how the Kremlin is equipping its narrative with whimsical yet destructive representations of perceived enemies.

This video captures more than just bizarre holiday content; it presents a reflection of the current geopolitical climate. Analysts have pointed out this type of propaganda, where humor and aggression intertwine, is not only about national pride but also serves as strategic messaging during times of tension. The Kremlin seems to understand the power of media to manipulate narratives, twisting celebratory figures like Santa Claus to portray threats instead of joy.

Critics have called out the underlying messages of violence and American cultural symbols being dismantled. Former U.S. Air Force Colonel Jeffrey Fischer posted, "Because human life is worthless to Russians, shooting down Santa (and Azeri Air) is funny," casting the Kremlin's antics under harsh scrutiny. This sentiment resonates particularly when we recognize the human toll of military operations and their corresponding narratives.

Despite its sinister undertone, the video reflects broader cultural tensions. It subtly accuses the West of militarization and, through the lens of Russia's anti-Western campaign, plays to domestic supporters who perceive NATO as antagonistic. By conflation of military and holiday imagery, the Kremlin aims to reinforce its stance against what it characterizes as Western encroachment.

The video's evolution hasn't gone unnoticed, with its rapid spread through various social media platforms sparking conversations around its appropriateness and impact. The juxtaposition of childhood laughter and military destruction raises eyebrows and worries about the impact such representation can have on younger audiences. The celebratory tones of joy mixed with destruction might normalize militaristic thinking under the guise of holiday cheer.

While the Kremlin has remained silent on the growing scandal surrounding the Afghanistan Airlines crash, its release of the Santa video raises questions about social responsibility and cultural representation. By using Santa’s image—instead of traditional military symbols—as the target of its military capabilities, the message appears to be directed at both external enemies and internal audiences, framing Russia’s actions as necessary for national pride.

Overall, this grotesque display of Santa Claus shot down by Russian air defenses encapsulates the strategies employed by the Kremlin within the framework of holiday spirit. Amidst current events, it encourages disunion against perceived foreign threats, all under the banner of Christmas cheer—an emblem of joy and giving twisted to depict intrigue, conflict, and destruction.

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