Robbie Williams's biopic, titled Better Man, directed by Michael Gracey, has recently made waves since its premiere. Following notable recognition at the Telluride Film Festival, it has sparked conversations among film critics and music fans about the latent charm and chaotic energy of one of Britain's most controversial pop icons.
The film takes viewers on a bumpy ride through Williams's life, starting from his childhood in Stoke-on-Trent to the dizzying heights of fame with Take That and beyond. At the helm, Gracey - known for his work on The Greatest Showman - brings his distinctive storytelling flair to Williams’s narrative, promising both humor and heart amid the rockstar's wild escapades.
One of the film's most daring choices is its anthropomorphic depiction of Robbie Williams as a chimpanzee. Critics have been divided about this creative decision; for some, it serves as a metaphorical representation of the chaos and unpredictability embodied by Williams, capturing his wild antics and fantastic musical talent. According to various reviewers, including one from FilmBook, the film's approach to depicting Williams's life is unprecedented. Despite its potential to alienate audiences, it seems to successfully encapsulate the essence of music, fame, and personal struggles.
Indeed, much of the film is built around the intriguing dynamics of Williams's relationships with his family and friends, illustrated through poignant and sometimes tearful moments. The bond between young Robbie and his grandmother, played by Alison Steadman, is particularly highlighted, showcasing tender scenes woven throughout the narrative. Critics noted how these familial ties deepen the overall impact of the film, allowing audiences to grasp the emotional undertones behind Williams’s public persona.
A strong supporting cast assists Davies, portraying Robbie as both adult and child, allowing for complex character development throughout Better Man. Steve Pemberton’s role as Robbie’s father, Peter, offers nuanced layers to the story, particularly through heartfelt interactions around music and connection. These portrayals help establish contexts within which Williams would later face challenges tied to fame, addiction, and self-discovery.
Musically, the film draws upon the richness of Williams's discography, emphasizing his ability to connect deeply with fans through memorable hits. The joyous performance segments are set up to evoke the nostalgia associated with the late '90s and early 2000s pop culture, though the rights issues have left some parts, particularly those involving Take That’s music, feeling somewhat underdeveloped. Nevertheless, the integration of his music effectively laces the narrative.
Critics have pointed out the film’s occasional dips, particularly concerning its depiction of addiction and recovery, which echoes many familiar rock-star biopic tropes. This reflection can sometimes detract from the unique aspect of Better Man; as one review articulates, the later acts can feel drawn out and reminiscent of other dramatized tales of musician woes. Still, there is appreciation for how the film attempts to balance celebration with self-deprecation, allowing viewers to experience both the triumphs and pitfalls of Williams's life.
Upon its conclusion, Better Man leaves audiences with the essence of Robbie Williams—the chaotic rockstar searching for meaning and connection amid the tumult of his career. The film wraps with nostalgic notes, portraying the tentative reconciliations with his former bandmates and hinting at the acceptance he desired, intertwining his artistic identity with his personal experiences.
Overall, reception of Better Man suggests it's not merely aimed at hard-core Robbie Williams fans but is crafted to engage anyone with an appreciation for the quirks of celebrity and the haunting allure of music. Reviews affirm, to enjoy this biopic, one might need at least some familiarity with Williams’s broader cultural impact.
With its blend of humor, heart, and undeniable talent, Better Man tips its hat not just to Robbie Williams, but also to the wild ride of stardom itself, reminding us all to “do it my way”– no matter how unconventional.
