The music world is buzzing with vibrant influences from both rising stars and seasoned pros. Recently, the up-and-coming rock band The Molotovs, signed to Marshall Records, delved deep with their favorite tracks, showcasing their eclectic taste and inspirations. With choices spanning various genres and eras, members Issey and Matthew shared their beloved songs, weaving personal stories of growth and creativity around each selection.
Issey kicked things off with 'Flag Day' by The Housemartins, highlighting songwriter Paul Heaton’s thoughtful critique of performative activism. “Too many Florence Nightingales, not enough Robin Hoods,” she quoted, praising the song’s impactful message and yearning to witness Heaton perform live soon. Her admiration for Heaton forms part of her deep-rooted passion for storytelling through music.
Next on her list was 'I’m Just Looking' by Dexys Midnight Runners, which she discovered during Record Store Week. The experience struck Issey deeply, as she declared the dynamic nature of Kevin Rowland's vocals and the captivating brass punctuations emotionally provocative. “His voice has got the characterization of a tragic vaudeville villain; it’s almost pantomime,” she mused, highlighting the drama interlaced within the song.
Transitioning to Matthew’s picks, he expressed his infatuation with 'Hung Up' by Paul Weller after catching glimpses of it on documentary footage. “It has everything a Weller song should have—energy, soul, and infectious melodies. Weller looks magnificent too!” The pair's choices reflect not only their love for the music but their desire to weave elements of artistry from their inspirations.
Matthew also chose 'What Do I Get?' by The Buzzcocks, captivated by Pete Shelly’s androgynous flair. His admiration extends to the unique perspectives woven through the lyrics; the anonymity of the subjects stands out as something remarkable. Matthew finds the Buzzcocks’ frantic energy compelling, hoping to encapsulate similar sentiments when creating music.
Matthew discovered contemporary song craft via 'Teal' by Wunderhorse, praised for Jacob Slater's chilling honesty stemming from personal experiences. Coupled with strong melody progressions, Matthew yearns to witness it live someday. He finds it inspiring how well Wunderhorse captures raw emotions on record.
Meanwhile, Pete Doherty, the charismatic frontman of both The Libertines and Babyshambles, recently spoke about his admiration for current Irish acts like Fontaines D.C. and Kneecap. He discussed this during his candid interview with NME, expressing excitement for the new musical voice coming out of Ireland. “Obviously, they’re very well known now,” he remarked, also recalling the impact of their pro-Palestine concert, which included notable performances by Weller and Primal Scream. “That probably would have piqued my curiosity back then to know there was this mob of Irish rappers,” he jokingly added.
Doherty’s reflections reveal his enthusiasm for the artistry blooming from Ireland. He noted the talent emanated from groups like Fontaines D.C., even mentioning standout tracks like 'Starburster.' This resonates with his personal experiences as he reminisced on how this tune “had passed him by” until taking some time to appreciate it fully.
Among his musings was his insight about family life, discussing how he envisioned settling down becoming reality. He admitted wanting to create bonds, being present for his family, which resonates with many listeners. “That’s what most people want, isn’t it? A loving environment,” he noted, showcasing the softer side to his dynamic persona.
The Libertines recently released their album 'All Quiet On The Eastern Esplanade,' marking their return to the charts after two decades. Each member of the band offers individual artistic contributions, and with plans for tours next year, excitement within the fanbase is high.
This conversation between generations of artists makes one thing clear: music remains interwoven, with influences shaping lives and creating connections through rhythm and rhyme. While The Molotovs pull from established influences, the excitement surrounding talent like Fontaines D.C. and Kneecap speaks volumes about the current state of music. It’s more than just lyrics or melody—it's about shared experiences shaping tomorrow’s soundscape.