The film Conclave, directed by Edward Berger, has emerged as one of the most intriguing offerings of the cinematic season, depicting the secretive process of electing the new Pope following the unexpected death of the current Pontiff. This politically charged thriller dives deep not only behind the closed doors of the Vatican but also within the hearts and minds of its cardinals, making it both a gripping narrative and not merely another religious drama.
The story takes place under the opulent ceilings of the Sistine Chapel and throughout the hallowed halls of the Vatican, exploring themes of power, ambition, and the moral dilemmas faced by church leaders. Ralph Fiennes stars as Cardinal Lawrence, responsible for guiding the conclave. His task is not simple; it's fraught with manipulation, conspiracy, and existential questions hovering over the future of the Catholic Church.
Following the recent passing of the Pope, the most powerful figures within the church converge to decide who will assume the most revered position on Earth. Each cardinal embodies varying perspectives, drastically differing ideologies, and fateful allegiances—from the progressive American Bellini, played by Stanley Tucci, to the staunchly traditional Tremblay, portrayed by John Lithgow. Lucian Msamati’s Adeyemi and Sergio Castellitto’s Tedesco also provide pivotal roles, showcasing the diverse thoughts swirling within the church hierarchy.
One of the film's compelling aspects is how it mirrors the uncertainty and conflict prevalent within modern society. Issues such as homosexuality, abuse scandals, and the Vatican's historical alliances with unsavory regimes are woven intricately through the plot's fabric. This blend of historical weight and contemporary relevance is what makes Conclave resonate with audiences today.
Critics have noted the film's strengths and weaknesses. While its exploration of Christianity and its values has received praise, it is the twists of the plot and momentum-building tension during the election process where Conclave truly shines. The film provokes viewers to reflect on their preconceived notions of church hierarchies and the people within them. "If we manage to make people leave the cinema contemplating some preconceived ideas, even the best!" remarked Edward Berger, expressing his hopes for audience engagement.
The dialogues and character interactions bring to mind cinematic classics, with some drawing parallels to 12 Angry Men. The reflection undertaken by the characters—led by Fiennes—is not only about choosing the next Pope but also examining their moral integrity and the human condition itself. Critics have likened such moments to “Game of Thrones” set within the Vatican, as hidden agendas and old rivalries surface.
Despite these intricacies, some critiques have emerged particularly concerning the film's execution of its climax. Carlos Boyero of El País noted, “I felt astonished and laughed at the absurdity of the conclusion,” pointing to the final resolution of the plot as somewhat lacking compared to the build-up. A film built on intrigue should conclude with equal finesse, making this aspect notable amid the overwhelmingly positive reviews of the performances.
Visually, Conclave stands out. The cinematography, led by Stéphane Fontaine, is noted for crafting frames reminiscent of classical art, making every shot significant and compelling. The musical score by Volker Bertelmann enhances tension and emotion, eleving key scenes to resonate even more significantly with viewers.
The ensemble cast, rounded out by seasoned actors like Isabella Rossellini, has brought new life to their respective roles. Their performances add depth, portraying vulnerability and complexity as they navigate ethical discussions about faith, leadership, and duty. The film reminds us of the immense responsibility placed upon those who are expected to guide millions.
Even as Conclave tackles serious issues, it maintains the thread of suspense fitting for the framework of its narrative. The film navigates through moments of heated debate, imaginative plotting, and unexpected turns, keeping the audience on edge. Yet, some feel these twists can veer too far, leading to resolutions perceived as concocted or excessive.
Overall, Conclave emerges as not just another film about religious themes but as one rich with commentary on our societal challenges, embedded within the veil of papal politics. It combines gripping storytelling with outstanding visual beauty, making it well worth the watch. Viewers are likely to leave discussing not just the film, but the real moral quandaries faced by those within the Vatican today.
Conclave is slated for release on December 20, 2024, with anticipation building from its festival screenings and acclaim. It promises to invite audiences to rethink the roles of power and morality within one of the oldest institutions known to man.
