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Arts & Culture
25 February 2025

Paco De Lucía Confirmed Sole Author Of Iconic Works

Landmark ruling affirms 37 compositions solely belong to the flamenco legend.

Paco de Lucía, the legendary flamenco guitarist, has been officially recognized as the sole author of 37 of his musical works, including the acclaimed piece 'Entre Dos Aguas', by the Spanish court system. This ruling from the Audiencia Provincial de Madrid reaffirms the 2023 decision by the Juzgado de lo Mercantil No. 3 of Madrid and settles over 14 years of legal disputes brought by the heirs of the late artist against the producer José Torregrosa.

The ruling, made public on the 11th anniversary of Paco de Lucía's passing, marks a significant milestone for his family. According to the court’s findings, Torregrosa's involvement was limited to transcribing De Lucía’s works, without adding any substantive creative input. The transcriptions were necessary because De Lucía, skilled as he was, lacked the formal musical training to write out his compositions effectively.

The court described Torregrosa's actions as "an abuse of trust" toward the true creator. De Lucía did not register his works with the Sociedad General de Autores (SGAE), relying instead on Torregrosa to handle such administrative tasks. This situation, brought to light by De Lucía's daughter, Lucía Sánchez, was finally rectified with this legal decision.

Torregrosa’s heirs argued during the lengthy court proceedings—some of which spanned nearly six years—that he deserved co-authorship due to his alleged alterations to the pieces during transcription. Yet, the court dismissed these claims, asserting the numerous arrangements noted did not meet the necessary standard to constitute derivative works.

According to the judges, “The compositions of Paco de Lucía are technically complex, including challenging picados and rasgueos, elements only conceived by his unique flamenco style.” This technical expertise, the court indicated, could not have been replicated by Torregrosa, who was more of a pianist and not deeply versed in flamenco music.

Among the 37 compositions recognized as solely De Lucía's are other noteworthy pieces such as 'De Madrugá', 'Farolillo de Feria', and 'Farruca de Lucía'. This ruling mandated Torregrosa's heirs to repay all earnings accrued from the unauthorized use of these works over decades, alongside awarding De Lucía's estate €10,000 as compensation for moral damages.

This judgment not only affirms De Lucía's legacy but also highlights the ethical responsibilities artists face concerning their work and recognition. It reinforces the importance of proper copyright and artistic integrity within the music industry.

De Lucía’s family, particularly his daughter, played a pivotal role throughout this legal battle. “It has been very complicated because intellectual property laws are nuanced and complex. Many told me to give up, but I persisted,” she expressed after the initial ruling was announced.

This court decision, though pivotal, is not completely final, as it remains subject to appeal before the Tribunal Supremo, Spain’s highest court. The legal discourse surrounding creative ownership continues, reflecting broader trends and challenges faced by artists, particularly within the competitive and often litigious music industry.

The public and media response to this ruling indicates strong support for De Lucía's legacy and the broader fight for artists' rights. Celebrated as one of the greatest flamenco guitarists of all time, De Lucía revolutionized the genre, blending traditional elements with influences from jazz and other musical styles.

His masterpiece 'Entre Dos Aguas' broke new ground, merging flamenco with new instrumentation, including electric bass and percussion—an innovation at the time. This mix contributed to the piece’s enduring popularity and commercial success, which led to its place as one of the most iconic flamenco compositions.

The impact of the ruling extends beyond De Lucía's works, sending ripples across the world of music and copyright laws, emphasizing the need for clarity and integrity in authorship recognitions. Artists and their families will likely feel empowered by this renewed affirmation of authenticity and rightful ownership.

With the light shed on De Lucía’s legacy, celebrations of his contribution to music can continue unabated. Efforts have already been undertaken, including tributes like the documentary series aired by Canal Sur, showcasing his influence and honoring his contributions to flamenco and music as a whole.

Despite the legal challenges, the enduring legacy of Paco de Lucía remains secure; his music continues to inspire new generations and sets the standard for excellence and creativity within the global music community.