The film One of Them Days, directed by Lawrence Lamont and starring Keke Palmer and SZA, has become the talk of the town as it shines light on the often overlooked comedy genre, particularly through the lens of Black womanhood.
Set within the vibrant backdrop of South Central Los Angeles, the film follows best friends Dreux (Keke Palmer) and Alyssa (SZA) as they scramble to raise rent money within the perilous time frame of less than 24 hours after encountering disastrous obstacles. Dreux, the pragmatic waitress longing for a promotion, and Alyssa, the free-spirited artist burdened by her do-nothing boyfriend's financial mismanagement, navigate both comedic hijinks and serious themes like gentrification and economic hardship.
The film has been well-received, earning $25 million at the box office, exceeding its production budget of $14 million during its opening weekend alone. Issa Rae, who serves as one of the film's producers, celebrated its success but noted its unique position: the film is one of the first original buddy comedies centered around two Black women to hit theaters since the 1997 film B.A.P.S.
Critics have praised the film as remarkably funny and refreshing. The Los Angeles Times called it "a treat to be gobbled up," reflecting widespread consensus about its quality and humor. Drawing comparisons to cult classics like the film Friday, One of Them Days revitalizes the buddy comedy genre with its distinct narrative about perseverance and friendship amid economic struggle.
Palmer's performance is noted for its relatability and humor. Her character Dreux faces challenges at home and work but refuses to surrender her ambitions. Critics have highlighted how Palmer's comedic timing is perfectly complemented by SZA's vibrant portrayal of Alyssa, who brings levity and freeflowing energy to their escapades. SZA's success as both a Grammy-winning artist and now as an actress showcases her versatility and has drawn positive attention to her debut role.
The charming dynamic between the leads has resulted in compelling chemistry on-screen, making the audience invested in their plight. Their mission to collect rent money becomes increasingly complicated by the antics of neighborhood characters, including Katt Williams who plays Lucky, providing the film's comedic voice of reason. Despite facing adversity, the main characters find strength within their sisterhood, highlighting the importance of friendship.
Many have noted how the film addresses systemic issues faced by impoverished communities. It portrays not just the struggles of making rent but also explores predatory systems and the socio-economic dynamics at play within the neighborhood. The overt comedy, intertwined with commentary on social issues, makes One of Them Days not only entertaining but also thought-provoking.
Looking at the broader film industry, the success of One of Them Days is seen as a watershed moment for Black creatives. Historically, the comedy genre has been written off as financially risky by studios, especially original ideas featuring minority perspectives. This film has managed to defy the odds, signaling to executives there is considerable demand for diverse storytelling.
Industry insiders like Nicole Brown, the president of Sony TriStar Pictures, expressed their hopes for this film to serve as the beginning of increased demand for more original comedy projects led by marginalized groups. For years, many women-led comedies have failed at the box office, but the success of One of Them Days serves as proof of concept, challenging the status quo and opening doors for new voices to emerge.
The film itself had its own long and dynamic path to production. Written by Syreeta Singleton, who began developing the concept during her work on Rae's series Rap Sh!t, the film was birthed from the need to tell stories centered on the experiences of Black women. Singleton embedded themes of friendship and resilience, uplifting narratives often sidelined by mainstream projects.
The talent of the cast does not go unrecognized, with appearances from Janelle James, Lil Rel Howery, and Dewayne Perkins elevatively enriching each scene they inhabit, proving the effectiveness of ensemble casts. The cinematography captures the essence of South Central Los Angeles, and the music choices complement the vibrant atmosphere, adding to the comedic high points without overshadowing the film's message.
While the film resonates with deep-rooted cultural significance, it also functions as pure entertainment, successfully keeping audiences engaged and laughing throughout. Reviews have illustrated how One of Them Days serves as both affirmation of the struggles facing many and celebration of the unique ways those challenges can be faced, particularly through humor. It is this blend of comedy and cultural commentary which makes it particularly compelling.
The film has touched audiences beyond its initial box office results. Comments from viewers and industry figures alike echo admiration for Rae's vision, Palmer's performance, and SZA's successful transition from music to acting. The hope is also palpable for what One of Them Days signifies for the future of creative works featuring stories about diversity and complex human experiences.
With its wild but heartfelt ride through the ups and downs of life, One of Them Days is not merely about the comedic moments but rather the messages of resilience, love, and laughter, drawing the audience back to their own lived experiences—perhaps reminding us all of the significance of sisterhood and the power of laughter on “one of those days.”