Nicole Kidman’s latest film, Babygirl, directed by Dutch actor Halina Reijn, has emerged as one of the more thought-provoking pieces of cinema set to debut in 2024. The film tells the story of Rory, played by Kidman, who is portrayed as a powerful, married CEO and mother embarking on her own self-discovery adventure. This nuanced narrative challenges traditional societal expectations, as Rory delves deep beyond her high-powered corporate life.
At the heart of the film is Rory's relationship with Samuel, portrayed by Harris Dickenson, who is described as her youthful intern. Their relationship quickly evolves from professional interactions to something far more complex and provocative, reflecting deep explorations of desire, power, and vulnerability. Rory's character is certainly not without her share of consequences, and as she engages with Samuel, she must confront the reality of potentially losing everything she holds dear.
What sets Babygirl apart from other recent films featuring older female protagonists is its unexpected, uplifting conclusion. Unlike traditional narratives where female characters endure tragic fates—like those seen in The Substance or Tár—Rory ends her story arc with clarity and empowerment. The film closes with her smiling, signifying her moment of satisfaction and the retention of her agency. This refreshing approach starkly contrasts with the trope of women being harshly punished for their desires.
Kidman's performance has been widely praised, as she effectively showcases intense emotions through dramatic close-ups. Critics assert her ability to authentically portray the bitter-sweet realities of age and acceptance is captivating. One significant moment includes Rory undergoing cosmetic surgery, serving as a reminder of the pressures even the most powerful women face to conform to societal beauty standards. Still, Kidman embraces this authenticity, showing how she is unafraid to represent the natural effects of age.
The film also thoughtfully engages with Rory’s sexuality at her age. Instead of adhering to the bleak narrative often associated with post-menopausal women, Rory’s desires remain potent, proving her complexity as character. After struggling to communicate her wants to her husband, played by Antonio Banderas, she finds the freedom to explore her fantasies through Samuel, allowing her to reclaim not only her sexual vitality but aspects of her identity.
A significant turning point arises when another female character intervenes, urging Rory to not let her mistakes define her. This moment of recognition from another woman catalyzes Rory’s subsequent empowerment, helping her to reclaim authority both at work and home. It reflects the film's overarching theme of solidarity among women and showcases the positive impact of inter-female support.
By the film's conclusion, Rory manages to rejuvenate her relationship with her husband, fostering honest communication about her desires. This resolution not only showcases personal growth but also conveys the film's message about the importance of shared desires and mutual support within partnerships.
Finally, Babygirl ends on an uplifting note, demonstrating how even complex journeys laden with risk can lead to victorious outcomes for women, allowing them to emerge with their power intact. With its unique narrative and Kidman's remarkable performance, the film has rightfully garnered attention and promises fresh perspectives on female empowerment.