In a poignant blend of humor and tragedy, the new film "Sterben ist auch keine Lösung" ("Dying Is Not a Solution") explores the life of Hermann Weber, a widowed intellectual played by Walter Sittler, who receives a devastating cancer diagnosis. Instead of battling the illness or enduring a prolonged suffering like he witnessed with his late wife three decades ago, Hermann decides he wants to take control of his fate and end his life on his own terms. However, his plans are complicated by his relationships with his family and the unexpected arrival of a lively widow named Hanne.
Hermann, a grumpy and socially withdrawn bookworm, avoids social interactions except for his book club, where he often clashes with the modern world. He expresses disdain for contemporary culture, lamenting, "People only look at their phones and get pictures of brain-dead rock musicians tattooed on their skin." This misanthropic view is shattered when he is diagnosed with cancer, leading him to consider assisted suicide in Switzerland, which requires a companion.
Enter Hanne, portrayed by Andrea Sawatzki, a spirited and engaging woman who is a three-time widow. Hermann learns that all of Hanne's husbands died shortly after their weddings, which leads him to concoct a darkly humorous plan: marry Hanne and become her next victim. With a background as a pharmacist, Hanne is well-versed in poisons, making her the perfect candidate in Hermann's eyes.
Despite his initial intentions, Hermann's encounters with Hanne begin to breathe new life into him. As he attempts to win her heart using a mix of charm, deception, and understatements, he discovers that love might change his perspective on life and death. The film cleverly juxtaposes Hermann's dark plan with the unexpected joy he finds in Hanne's company.
Director Ingo Rasper has crafted a feel-good movie that delves into deeper themes of mortality and human connection. The film, which runs for 88 minutes, is described by ARD as having "tragicomical humor and double-edged references to the zeitgeist for excellent entertainment." The music, composed by Martina Eisenreich, complements the film's emotional depth.
Since its release on May 7, 2025, "Sterben ist auch keine Lösung" has been available on the ARD Mediathek and will remain accessible until May 9, 2026. It is set to air on television tonight, May 9, 2025, at 20:15 on Das Erste, providing audiences with a chance to witness this unique blend of comedy and poignant storytelling.
As Hermann navigates the complexities of his plan, he also faces the reality of his strained relationships with his daughter, Claudia, and his grandson, Lenny, who remain unaware of his terminal condition. The film poignantly highlights the generational divide, emphasizing the need for understanding and communication between young and old. It suggests that despite the differences, there is always hope for connection.
Hanne's vibrant personality disrupts Hermann's bleak outlook, leading him to engage in activities he had long avoided, such as dance nights and visits to a cellphone store. These experiences challenge his preconceived notions about life and death, prompting him to reconsider his decision to end his life.
"Sterben ist auch keine Lösung" is not just a story about a man contemplating suicide; it is also a narrative about rediscovering the joy of life, even in the face of death. The film's underlying message resonates with audiences, urging them to listen, understand, and appreciate what truly matters in life.
As the story unfolds, viewers are drawn into Hermann's world, witnessing his transformation from a reclusive, cynical man to someone who begins to embrace the possibility of love and happiness. Hanne's influence becomes a catalyst for change, demonstrating that life can still hold meaning, even in the darkest of times.
In conclusion, "Sterben ist auch keine Lösung" presents a thought-provoking yet entertaining exploration of life, death, and the human experience. It challenges viewers to reflect on their own relationships and the importance of connection, making it a must-see film for anyone seeking both humor and depth in their cinematic experience.
