Tonight at 20:15, ARD will air the fourth installment of the beloved Swabian crime series 'Die Bestatterin'. While the last two episodes disappointed those within the funeral profession, hopes are high for this episode, titled 'Die Bestatterin – Tote leben länger,' which is also available for streaming on their media platform.
The series has shifted focus since its promising pilot episode in 2019, with the titular protagonist, Lisa Taubenbaum from Hepperlingen, seemingly sidelined. Critics noted this change, particularly referencing titles from previous reviews such as 'Die Bestatterin, die nicht bestattet' and 'Etikettenschwindel mit dem Bestatter-Handwerk' when discussing the series' faltering connection to its craft. Amid low expectations for the latest episode, some elements appear to resonate with viewers.
The opening scene features the typical ‘initial corpse’: A woman is discovered lifeless at the base of a cliff. Taubenbaum, portrayed by Anna Fischer, arrives at the scene along with her somewhat simple-minded brother, Hannes (Frederik Bott), and Stuttgart Commissar Thomas Zellinger (Christoph Letkowski). Zellinger initially suspects suicide, citing what seems to be a farewell message sent via SMS. Zellinger's new colleague, Alessia Vogler (Alina Sokhna M'Baye), agrees with his theory, but Taubenbaum and Hannes are less certain.
The film progresses to some of the most gripping moments as viewers observe Lisa caring for the deceased. An authentic portrayal of the funeral profession emerges as she skillfully cleans and prepares the body, restoring her client’s appearance. This provides poignant insights, particularly during conversations with the deceased's family, such as Oliver Blum (Florian Jahr), whose wife is the victim, and her sister Kim Weckerle (Anna Unterberger), who discuss cremation options.
Interestingly, Lisa’s brother Hannes is shown working diligently at the family-run funeral home, making coffins and wooden crosses for graveyards alongside their father, Alfons (Artus Maria Matthiessen). Alfons bemoans rising energy costs and mounting bills, expressing concern over the survival of their business, which has been run continuously since 1891. This dialogue resonates widely, as many tradespeople face similar dilemmas. Despite the sentiments, Lisa appears to distance herself from the funeral profession, stating, 'I’m just helping out; I’m actually a physiotherapist.' While this statement seems recycled from previous episodes, it raises questions about her commitment to the family business.
While the episode is portrayed as light-hearted evening entertainment, viewers should be aware of its complex themes beneath the surface. The idyllic setting of Hepperlingen serves as both backdrop and character; characters interact without pretense, and the environment is lush with the charm of German rural life. The serene backdrop, juxtaposed against the stories of life and death, gives 'Die Bestatterin' its unique flavor, even if it's missed opportunities dominate the narrative of engaging with the funeral craft.
The story dives deep when the narrative follows Lisa's suspicion about Dorothea Blum’s apparent suicide. The initial assumption seems plausible, with correspondences hinting at emotional turmoil, but the plot twist escalates when Taiilio Hoferichter (Daniel Michel), who is determined to see the body, meets with grisly fate shortly after. This compels Lisa to start her own investigation; sometimes aligning with Zellinger, but often at odds with the authority he embodies.
With the show historically struggling to portray its namesake profession accurately, there are sentiments of bittersweet resolution found within 'Tote leben länger'. A stronger emphasis on Taubenbaum's expertise would have augmented the plot, establishing more authentic historical connections between her work and the mysteries she unravels.
Let’s not forget the production itself; Alexander Liegl's script and Lydia Bruna’s direction offer some visual treats, even as the plot follows the familiar whodunit formula without shocking revelations. The predictability of the mystery may not be to everyone’s taste, yet it is likely to draw viewers seeking comfortable, light entertainment. Those entering the evening with lower expectations could find themselves through the tumult of the criminal underworld, with the opportunity to enjoy brief lapses of humor intertwined within the drama.
'Die Bestatterin' has the potential to satisfy fans and newcomers alike as it embraces its complex characters and carefully weaves their stories with the beautiful, serene landscapes of Schwäbische Alb. So, as you settle down on your couch tonight at 20:15, don't forget to tune in to experience another adventure from the world of Lisa Taubenbaum.