In a gripping new crime film, "Mord in Wien – Der letzte Bissen," the ARD presents a compelling narrative that intertwines murder, mystery, and the contrasting personalities of its lead detectives. Set against the backdrop of the picturesque Wienerwald, the film, which airs on April 24, 2025, at 20:15, explores the investigation of a double murder involving two high-ranking government officials.
The story unfolds following the brutal killings of Robert Ehrlacher, the head of a special unit for organized crime, and Peter März, a high-ranking official in the Verfassungsschutz (Office for the Protection of the Constitution). The interior minister, Kerber, portrayed by Edita Malovčić, assembles a unique investigative team comprising Oberstleutnant Carl-Albrecht Nassau, played by August Wittgenstein, and Majorin Franziska Malzer, portrayed by Caroline Frank. This dynamic duo, hailing from vastly different backgrounds, is tasked with unraveling the complex web of connections surrounding the victims.
Nassau, an aristocrat and self-proclaimed specialist in unsolvable cases, is often referred to as a "Kaiserenkel" or "Ur-Ur-Großneffe des Kaisers" (great-grandnephew of the emperor). His counterpart, Malzer, is a tough, no-nonsense officer known for her straightforward approach and has even arrested her own husband in the line of duty. This stark contrast sets the stage for a classic buddy-cop dynamic, reminiscent of British crime dramas.
The film's plot thickens as the investigation reveals that both victims were living beyond their means, leading to questions about their financial dealings. The investigation takes a dark turn when Nassau and Malzer discover that the victims and a man named Georg Landauer, whom Nassau shoots in self-defense, all bear the same "Ostmafia" tattoos. This discovery hints at a deeper connection to organized crime, particularly to a Russian mafia organization thought to have been dismantled years prior.
As the detectives delve deeper, they encounter the Fischer brothers, Alexander "das Hirn" and Nikolaus "die Faust," who claim ignorance of the murdered officials. Their dubious past as underworld kings in Hamburg and their current status in Vienna raise suspicions. The investigation leads to the revelation of "Operation Ganymed," an initiative that targeted organized crime in eastern Austria eleven years ago. This operation inadvertently left the Fischer brothers in control of lucrative criminal enterprises in Vienna.
The film's direction by Sabine Derflinger and the script by H. G. Fiedler are noteworthy, as they weave humor and intrigue into a narrative that explores not only the crime but also the personal lives of the detectives. The chemistry between Nassau and Malzer is palpable, with witty exchanges that highlight their differences and growing camaraderie. As Malzer confronts Alexander Fischer, she quips, "You are the lurch under the bed, but we have the vacuum cleaner with the long hose," showcasing the film's blend of tension and humor.
Despite the film's engaging premise, critiques have surfaced regarding its execution. Some reviews suggest that while the characters are well-developed, the plot lacks originality and depth. The humor, although intended to lighten the mood, is described by some as forced and not particularly effective. Critics have pointed out that the film struggles to balance its comedic elements with the serious nature of the investigation, resulting in a somewhat uneven viewing experience.
Moreover, the film's portrayal of the aristocratic Nassau, who grapples with his heritage and the expectations that come with it, adds a layer of complexity to his character. His relationship with his father, who disapproves of his career choice, and Malzer's struggles as a single mother living in a communal housing complex, provide a human touch to the otherwise thrilling narrative.
As the investigation progresses, viewers are treated to glimpses of the characters' personal dramas, making them relatable and sympathetic. The film does well to humanize its protagonists, allowing audiences to connect with their struggles and triumphs.
In conclusion, "Mord in Wien – Der letzte Bissen" presents an intriguing blend of crime, humor, and character development. While it may not break new ground in the crime genre, its engaging leads and the picturesque Vienna setting provide a fresh take on the buddy-cop formula. As the ARD continues to produce content for its "DonnerstagsKrimi im Ersten" lineup, this film stands as a promising addition, inviting viewers to tune in and see how the story unfolds.
