In an intriguing blend of humor and danger, Netflix’s new series, “The Residence,” captivates audiences with a thrilling mystery set in the White House, where even the most ordinary of settings can foster extraordinary drama. Launched on March 23, 2025, the show invites viewers into the chaotic world of a state dinner turned deadly when the Chief Usher is murdered.
Based on Kate Andersen Brower’s book “The Residence: Inside the Private World of the White House,” the eight-episode series infuses a mix of real historical context with fictional drama. Show creator Paul William Davies encapsulated the essence of the story prior to writing any script, knowing from the outset who the killer and victim would be. “The Residence” narrates the downfall of White House Chief Usher A.B. Wynter, played by Giancarlo Esposito, as he becomes the unwitting victim on a fateful evening during an Australian state dinner.
The deadly plot unfolds after a series of events that embroil not only the characters in a web of deception but also the audience in a suspenseful viewing experience. Detective Cordelia Cupp, portrayed by Uzo Aduba, steps into action, conducting whirlwind interviews with 157 suspects in a bid to reveal the truth behind A.B. Wynter’s demise. From the moment A.B. is discovered dead by Nan Cox, the President’s mother-in-law, humor and tension permeate as the dinner continues even after the chaos upstairs.
As the narrative thickens, clues about the murder begin to surface, ultimately pointing in an unexpected direction. Lilly Schumacher, a character played by Molly Griggs, emerges as the prime suspect after a series of confrontations with A.B. He has plans to expose her for various fraudulent activities, including misappropriating funds and trading favors. The character of Lilly is one that exemplifies greed and ambition, which fuels her motivations leading to the murder.
The climax reveals Lilly’s desperate moves to eliminate A.B., which entail the theft of paraquat, a toxic herbicide. Medium-well planned out, Lilly's actions include impersonating First Gentleman Elliot Morgan to remove the Secret Service from the upper floors, thus paving her way to commit murder. She ultimately bludgeons A.B. to death with a clock in a sequence riddled with dark humor.
This murder mystery is not just a thriller; it sprinkles in a cultural commentary about the inner workings of the White House and emphasizes the colorful ensemble cast. From characters based on real-life public figures, like Kylie Minogue and Al Franken, to the fictional ones like Detective Cordelia Cupp, the series creates a playful yet critique-laden landscape of contemporary politics.
Following the passing of original cast member Andre Braugher during production, Giancarlo Esposito stepped in to continue portraying A.B. Wynter. This change left a distinct mark on the team, forcing the cast and crew to adapt while also honoring Braugher’s legacy. “We all loved him, and he loved the show,” Davies reflected about Braugher’s impact on the production.
Reflecting on his experiences, Davies discussed casting decisions, including Al Franken’s role as Senator Aaron Filkins, a character that adds depth and humor to the Senate hearings framing the narrative. The show’s tone, balancing comedic flair with a gripping plot, makes it rich, demonstrating Davies's signature style in its multi-tonal presentation.
Despite references to notable figures like Hugh Jackman, who does not appear onscreen, the inclusion of familiar faces and humorous cameos serves to enhance the show’s overall appeal. Character quirks, including Cordelia’s obsession with birdwatching, provide depth to her detective work while enriching the comedic elements within the story.
In conclusion, “The Residence” seamlessly merges thrilling murder mystery with the farcical elements of political life, making it an engaging watch. As viewers eagerly anticipate a potential second season, it remains clear that Davies has crafted not just a show, but a reflection on the dynamics of power and identity within the White House.
