As of March 21, 2025, Netflix's four-part British drama Adolescence, which has captivated global audiences for two weeks, is making waves with its powerful storytelling. The series, known for its unique filming style of capturing each episode in real-time through a single take, has been lauded for its intense and immersive experience—drawing viewers into a narrative exploring the devastating aftermath of a young girl's murder.
Written by Jack Thorne and co-created with actor Stephen Graham, who also stars as Eddie Miller, a father grappling with the accusation against his son, Adolescence recounts the harrowing tale of 13-year-old Jamie, played by Owen Cooper, who stands accused of murdering a female classmate. The show delves beyond the crime itself, examining the societal factors that can push a young boy towards violence—a narrative that resonates deeply in today’s world.
The emotional weight of the series is heightened through its format, with each episode being told in real time. Director Philip Barantini's choice to film as one continuous shot not only adds a layer of intensity but also allows viewers to feel the immediacy of the characters' experiences, creating a connection akin to witnessing a real unfolding tragedy. In the first episode, for example, the viewer echoes the shock of the Miller family as police invade their home, marking the beginning of a nightmare.
Thorne notes that Adolescence reflects the toxic influences of online cultures, particularly the incel (involuntary celibate) ideologies that shape the young men's perceptions of women. He expresses concern about this culture’s pervasive impact, stating, "I hope this is a drama that suggests that Jamie is like this because of a whole number of complicated factors." Viewers see how bullying, online radicalization, and social isolation collectively inform Jamie's troubled mindset.
In response to the show's stark portrayal of these issues, Thorne has called for radical governmental action to address the factors that contribute to youth violence, including a proposed smartphone ban in schools and the establishment of a "digital age of consent." He believes these steps are vital in preventing young boys from being drawn into harmful online communities that celebrate aggression and misogyny.
Thorne’s sentiments are echoed by other public figures, such as Prime Minister Sir Keir Starmer, who commented on Adolescence, describing it as a significant narrative that engages with current societal challenges. During a parliamentary session, Starmer remarked, "Violence carried out by young men who are influenced by what they see online is abhorrent, and we have to tackle it."
The critical reception of Adolescence isn’t solely based on its narrative; its filmmaking style has also sparked discussions among both audiences and commentators. Critics have drawn parallels to other one-shot films and series, suggesting that the technique amplifies the emotional stakes, as characters’ conversations flow without interruption, mimicking real-life interactions.
Beyond its artistic merits, Adolescence serves as a reflection of societal anxieties—addressing increased rates of violence among young people, including a staggering rise in knife crime in the UK over the last decade. Co-creator Stephen Graham has expressed horror at the rates of violence perpetrated by young boys, illuminating the dire need for community-focused interventions.
Viewer reactions have been mixed but thought-provoking. A recent screening in east London, gathering 103 young perspectives from various backgrounds, offered insights into how the show resonates with the younger generation. Many expressed concerns about their peers succumbing to toxic influences online, with some indicating that they were keenly aware of figures like Andrew Tate, albeit with critical views.
Sixteen-year-old Elijah noted, "Some of my mates have totally fallen for Andrew Tate, but lots haven’t. I think it’s more of a Year 8 and 9 thing. He’s so obviously out for himself." This sentiment underscores a critical function of Adolescence: it prompts discussions among teenagers about their values and peer influences.
The series doesn't just provoke fear; it ignites hope. Viewers and critics alike have highlighted the importance of fostering mentorship programs and stronger community ties to combat the alienation faced by many young boys today. The presence of positive male role models and supportive networks is crucial in redirecting youth away from harmful ideologies.
In conclusion, Adolescence stands as a clarion call to society to recognize and address the complex factors leading young individuals toward violence. The conversations it has started—from school gates to the Houses of Parliament—suggest that while the problems are deep-rooted, the solutions may indeed lie within collective action and understanding. As Jack Thorne aptly remarks, addressing these issues requires more than role models—it necessitates a cultural shift and urgent policy intervention.
As the series continues to gain traction, it remains essential viewing for those concerned about the future of youth culture and the influences that shape it. Adolescence is now streaming on Netflix.
