Netflix Debuts Polish UFO Series Project UFO

On April 16, 2025, Netflix debuted its latest Polish series, Projekt UFO, a four-episode miniseries directed and written by Kasper Bajon. Known for his work on acclaimed series like Rojst and Wielka woda, Bajon takes viewers on a journey back to the early 1980s, exploring an alleged UFO landing in the fictional village of Truskasy, Warmia. This series blends elements of comedy, drama, and social commentary, but does it succeed in captivating its audience?

The plot revolves around Jan Polgar, played by Piotr Adamczyk, a fading television star and host of the UFO-themed show Bliskie spotkania. He is joined by Zbigniew Sokolik, portrayed by Mateusz Kościukiewicz, an amateur ufologist convinced of the existence of extraterrestrial life. The story is inspired by real events from May 10, 1978, when a farmer named Jan Wolski reportedly encountered aliens in Emilcin, Lublin Province. However, Projekt UFO takes creative liberties, transforming Emilcin into Truskasy and using the UFO theme as a backdrop for deeper discussions about belief, skepticism, and the media's role in shaping public perception.

As the series unfolds, Polgar and Sokolik attempt to investigate the supposed alien landing, drawing in various characters, including Wera Wierusz, played by Maja Ostaszewska, a television presenter who sees the UFO phenomenon as an opportunity to regain the spotlight, and Julia Borewicz, a myopic policewoman portrayed by Julia Kijowska, who believes the situation could lead to her promotion.

Despite the intriguing premise, early reviews suggest that Projekt UFO struggles with pacing and narrative coherence. Critics have noted that the first two episodes feel like a drawn-out exposition, lacking the dynamic storytelling needed to engage viewers fully. The series is described as a mix of genres, incorporating elements of comedy, drama, thriller, and even horror, yet it fails to find a consistent tone.

One review highlighted the series’ visual appeal, praising the meticulous attention to detail in the set design and costumes, which effectively transport viewers to the PRL era. The creative team, including Magda Bem-Jankowska for costumes and Anna Marzęda for set design, has been commended for their work in recreating the aesthetic of the 1980s, enriching the viewing experience.

However, while the visuals are striking, some critics argue that the series lacks a strong narrative drive. The characters, although played by a talented cast, are often perceived as one-dimensional, with motivations that do not resonate deeply with the audience. Adamczyk and Kościukiewicz deliver commendable performances, but the script does not provide them with enough material to elevate their roles beyond the superficial. The relationships between characters, particularly between Polgar and Sokolik, are noted to have potential but often fall flat due to the writing.

Another point of contention is the series' handling of its central theme. While it aims to comment on the nature of belief and the influence of media, critics feel that the execution is muddled. The narrative’s focus on UFOs serves more as a vehicle for exploring human behavior and societal issues rather than delivering a cohesive story about extraterrestrial encounters. The series has been likened to a quasi-comedy, but many viewers may find the humor lacking or misplaced.

In a post-screening Q&A, Bajon expressed that while he recognized the potential for a sequel due to the wealth of material surrounding UFO phenomena, he intentionally crafted Projekt UFO as a self-contained story. This decision has led some to appreciate the series for its commitment to a singular narrative, while others feel it leaves too many questions unanswered.

Moreover, the series is filled with metaphors and references to PRL-era events, which can be rewarding for viewers familiar with that history. However, for those less versed in Polish history or UFO lore, the significance of these elements may be lost, leading to a disconnect between the series and its audience.

Despite its shortcomings, Projekt UFO has sparked conversations about the intersection of media, belief, and the absurdity of human nature. The series serves as a reflection of the era it portrays while also commenting on contemporary issues of misinformation and the sensationalism of news.

As viewers engage with the series, they may find themselves questioning not only the existence of UFOs but also the reliability of the narratives presented to them, both in the series and in real life. Ultimately, while Projekt UFO may not achieve the same cult status as its American counterparts like The X-Files, it offers a unique lens through which to view the complexities of belief and media in a historical context.

In conclusion, while Projekt UFO is visually impressive and features a solid cast, its narrative flaws and pacing issues may leave some viewers wanting more. The series has the potential to engage with its themes more deeply, but as it stands, it remains a curious exploration of UFO culture and Polish history.