Morgan Freeman, now 87, is not just known for his iconic performances across numerous films; he's also an avid reader whose literary preferences have sparked interest among fans, especially as the world celebrated World Book Day. This year, the acclaimed actor's favorite books made headlines when shared on Pinterest, prompting discussions about the literary influences behind his illustrious career.
During a previous interview with the New York Post, Freeman opened up about five books he credits with deeply influencing his life. distinctively varied titles but all share the commonality of shaping his thoughts and perspectives. Here’s how these books played pivotal roles:
Freeman's first selection is the Bible, where he reveals his favorite part is Genesis. This section narrates the creation stories, including iconic tales of Adam and Eve, Noah's Ark, and the Tower of Babel. He explains how this book outlines the origins of the world and humanity, reflecting our relationship with everything around us. His appreciation for these foundational stories showcases the transcendent impact of religious texts.
The second book he mentioned is Black Beauty by Anna Sewell, which was pivotal during his childhood. Freeman reminisced about how it was the first book he ever read. He remarked, "It was the first book I read. I don’t recall if it was a librarian who [suggested it] or if I just stumbled on it, but the idea of reading a book – not a comic book – was part of it." This memorable insight highlights not only the book's impact on him but also the era he grew up in, when entertainment was largely limited to radio and film.
Freeman's third noteworthy choice, Moby-Dick by Herman Melville, instilled his fascination with the sea. He pointed out, "This classic instilled an interest in sailing and began my lifelong love of the sea." The connection he feels with this iconic maritime novel reveals how literature can transport readers and ignite passions.
Next on his list is At Play in the Fields of the Lord by Peter Matthiessen, which he admires for its examination of cultural clashes. This 1965 tale confronts the issues of cultural genocide and the interactions between different belief systems, set against the backdrop of the South American jungle. It’s rich with political commentary and human conflict, elements Freeman appreciates deeply.
The final title Freeman discussed is The Poisonwood Bible by Barbara Kingsolver. This best-selling novel, published in 1998, tells the story of an American missionary family who face their cultural challenges during their time in a Congolese village. Part of Freeman's endorsement of female authors is articulated when he states, "Some of the best writers are women writers – Barbara Kingsolver, Joyce Carol Oates. They just don’t get enough play." This acknowledgment not only praises these writers but also opens dialogue about representation and recognition of women's voices within literature.
Freeman’s shared reflections on these books connect him to broad themes of identity, morality, and the human experience. With every selection, he does not just impart what these texts mean to him but also constructs bridges to significant societal conversations, from the value of religious texts to the depth of cultural narratives.
Through sharing his reading list, Freeman offers insight not only on the books he cherishes but also suggests the power of literature to inform one’s worldview. The passion displayed by this legendary figure serves as both inspiration and invitation for readers to explore their own transformative literary journeys.