Michelle Pfeiffer, the Hollywood icon, has once again captivated audiences with her ageless beauty and vibrant energy through multiple ventures. Recently, she has made waves appearing in two significant projects: the stunning Summer 25 campaign for Saint Laurent and her starring role in the upcoming AppleTV+ series ‘Margo’s Got Money Troubles’.
Unveiling its new Summer collection, Saint Laurent has partnered with Pfeiffer, showcasing her timeless elegance and sophistication. Under the creative direction of Anthony Vaccarello, the campaign, shot by the acclaimed photographer David Sims, highlights the powerful and bold silhouettes associated with the brand. Against the iconic Manhattan skyline, Pfeiffer models luxurious oversized suits, exuding the type of confidence and refinement emblematic of Saint Laurent's identity.
The Summer 25 campaign pays homage to late 20th-century power dressing, reimagined with modern twists. Pfeiffer’s outfits include intricately detailed brocade and lace evening wear, all rendered in rich jewel tones like deep burgundies, vivid blues, and lush emeralds. These stylistic choices reflect Vaccarello’s vision for the contemporary woman—one who embraces her strength and sophistication through fashion.
Pfeiffer has long been associated with power suiting, which first came to public attention through her unforgettable role as Elvira Hancock in Scarface. Her iconic silk blazers not only defined her on-screen persona but have since influenced her off-screen style, creating a natural synergy with the Saint Laurent brand. Her ability to seamlessly embody this confident aesthetic is what makes her such a compelling figure within the campaign.
Expressing her excitement about the collaboration, Pfeiffer stated on Instagram, "It was an absolute honor to work with @anthonyvaccarello, @ysl, and be captured by @DavidSimsofficial on the Summer 25 campaign. Thank you, ysl! xx." This acknowledgment reflects her appreciation for both the artistic collaboration and the brand's commitment to fashion excellence.
Meanwhile, Pfeiffer is also captivating and engaging audiences as she films ‘Margo’s Got Money Troubles’ alongside fellow stars Elle Fanning and Nicole Kidman. Spotted on the set in Los Angeles, she dazzled onlookers with her timeless style. She wore a butter yellow blouse styled with flared high-rise jeans, embodying both casual chic and sophistication.
The blouse, unbuttoned just enough to hint at her playful yet elegant side, is complemented by oversized gold sunglasses and statement gold hoop earrings, which together showcased her dazzling flair. Pfeiffer’s lush blonde locks were styled in voluminous curls, adding glamour to her role. Observers of her on-set look couldn’t help but comment on her exceptional fashion sense and enduring beauty.
Social media was abuzz with fan reactions, with many commenting on her radiant appearance. “Michelle looks fabulous,” one fan wrote, echoing sentiments shared widely across the platform. Another fan praised her timeless elegance, stating, “She always looks good.” With such adoration pouring from fans, it’s clear she has maintained her status as one of Hollywood’s enduring icons.
Combining high fashion with everyday elegance, Pfeiffer reflects the ideals of accomplishment and determination not only through her artistic endeavors but also through her personal style. Her continued collaboration with iconic brands like Saint Laurent showcases her role not just as an actress but as a fashion muse who resonates with audiences old and new.
From the streets of Los Angeles to the polished streetscape of Manhattan, Michelle Pfeiffer is not just making appearances; she is solidifying her legacy as both actress and style icon. Each role she takes on and every campaign she embarks upon reinforces her relevance, showcasing her as both the embodiment of contemporary elegance and the timeless allure of Hollywood.
Michelle Pfeiffer remains, undoubtedly, one of the industry’s most cherished icons—a force of nature whose influence over fashion and cinema remains irrefutable and inspiring.