Meghann Fahy, known for her role as Daphne Sullivan in HBO’s acclaimed series The White Lotus, has expressed her eagerness to reprise her character in a potential fourth season of the show. Speaking exclusively to PEOPLE at the premiere of her new film Drop on April 8, 2025, Fahy stated, "I’m always down, always," indicating her readiness to return to the luxurious but tumultuous world created by Mike White.
Fahy’s comments come on the heels of speculation about an all-star season of The White Lotus. Patrick Schwarzenegger, who portrayed Saxon Ratliff in season 3, hinted at this possibility, telling The Hollywood Reporter, "I’ve heard rumors of them doing an all-star season." White himself responded positively, saying, "I’d love to do that," further fueling excitement among fans.
The end of season 2 left viewers with a cliffhanger regarding the fidelity of Cameron Sullivan, played by Theo James, who was accused of cheating with Harper Spiller, portrayed by Aubrey Plaza. In a tense confrontation, Daphne told Ethan Spiller, Harper’s husband, that he could choose not to be the victim, leading to speculation about whether they had an affair or not.
Fahy recently shared her thoughts on the season 3 finale, which aired on April 6, expressing her devastation over the character losses. "It was excellent. I mean, I was devastated by the people we lost, of course, but that’s sort of always the point, isn’t it?" she explained. "But no, I loved the whole season. Excellent cast, beautifully written. Loved it, loved it, loved it." Her film Drop, which co-stars Brandon Sklenar, premiered in theaters on April 11.
In related news, Aimee Lou Wood, another star from The White Lotus, recently criticized a sketch on Saturday Night Live that parodied her character, Chelsea. The sketch, aired on April 12, featured Sarah Sherman as Chelsea in a scenario involving various political figures, including Jon Hamm as Robert F. Kennedy Jr. dressed as Rick, Chelsea’s boyfriend. Wood described the portrayal as "mean and unfunny" in an Instagram Story on April 13.
Wood expressed her disappointment, stating, "Such a shame cuz I had such a great time watching it a couple of weeks ago. Yes, take the piss for sure – that’s what the show is about – but there must be a cleverer, more nuanced, less cheap way?" Following her critique, she revealed that she had received thousands of supportive messages and that representatives from SNL had personally apologized to her.
Discussing her character further, Wood noted that while viewers love Chelsea, they are upset about her being put in harm’s way by Rick. However, she clarified, "she was not put in harm’s way by Rick, she was put in harm’s way by herself. So, she’s not a victim; she’s like many of the tragic heroines that I adore." This perspective adds a layer of complexity to her character, challenging viewers to reconsider their interpretations.
The juxtaposition of Fahy’s eagerness to return to the series with Wood’s critique of a parody highlights the varying experiences of actors within the same franchise. Both actresses have garnered significant attention for their roles, contributing to the show's cultural impact.
As fans await news on the future of The White Lotus, the discussions surrounding potential storylines and character arcs continue to generate buzz. With Fahy’s enthusiasm for a fourth season and Wood’s candid reflections on her character’s portrayal, it’s clear that the series has left an indelible mark on its cast and audience alike.
In the world of entertainment, where public perception can shift rapidly, both Fahy and Wood’s experiences serve as reminders of the complexities involved in portraying nuanced characters. As they navigate their careers, their insights into the challenges and rewards of their roles resonate with audiences, adding depth to the ongoing conversation about representation and character development in television.
With The White Lotus continuing to captivate viewers, the anticipation for future seasons remains high. Whether it’s through the lens of returning favorites like Daphne or the fresh perspectives of characters like Chelsea, the series promises to explore themes of privilege, morality, and the human condition in its signature style.
