Maribel Guardia, the renowned actress and singer, has recently taken legal action against her daughter-in-law, Imelda Tuñón, which she asserts is necessary to protect the well-being of her grandson, José Julián Figueroa. Guardia's decision, communicated to her nearly 10 million followers on Instagram, reveals the emotional turmoil underlying the dispute.
She stated, "Con dolor comunico que me he visto en el deber moral de poner una denuncia contra la madre de mi nieto, con el único afán de defender su integridad." This heartfelt declaration hints at serious concerns, though she provided few details surrounding the motives for her legal steps. The situation escalated following reports of a heated incident at the school of her grandson, which allegedly involved accusations from Tuñón against Guardia.
According to rumors circulating on social media, Tuñón believes Guardia attempted to take custody of her son without consent during school pickup hours. An altercation ensued outside the school premises, with Tuñón reportedly showing up with police, declaring, "me lo quiere robar" (he wants to steal him). Eyewitness accounts describe distressing scenes, with children and parents reportedly feeling alarmed.
The conflict arises against the backdrop of previous tension between Guardia and Tuñón, whose relationship has been strained since the passing of Julián Figueroa, Guardia's son, and Tuñón's husband, earlier this year. Following Julián's death, both women publicly professed their dedication to care for the child, presenting what appeared to be cooperative parenting. This latest episode has shattered any semblance of harmony.
After the altercation, Imelda Tuñón publicly addressed the recent charges. She indicated her actions stemmed from personal reasons, particularly her decision to move out, clarifying, "Porque decidí que nos mudáramos, trató de llevárselo sin permiso de la escuela mucho antes de su hora de salida." This response showcases the complicated dynamics now at play, where domestic changes are intertwined with concerns over parental rights.
Insiders close to the situation suggest growing fears about Tuñón's well-being, speculating on possible issues with substance abuse, though these claims remain unverified. Online discussions reflect divided opinions—some sympathizing with Guardia's protective stance, and others arguing Tuñón's rights as the child's mother should be respected. One online user remarked, "Lo triste es que esto se maneje en público, cuando debería resolverse en privado por el bien del menor." (It's sad this is being handled publicly when it should be resolved privately for the child's sake).
Adding complexity to this conflict, Tuñón recently shared cryptic messages on her platform, one stating, "Caras vemos, corazones no sabemos," which suggests feelings of betrayal or disillusionment. The personal turmoil expressed by both women has drawn public scrutiny and sparked intense debate about the custody of José Julián.
Maribel Guardia's decision to pursue legal measures is not taken lightly; she asserts her primary aim is the safety of her grandson, emphasizing, "No tengo afán de entrar en ningún detalle, ni de lastimar su imagen. Solo quiero cuidar la seguridad de mi nieto y que se haga lo que Dios y la autoridad determinen prudente." The legal situation remains fluid, with both women potentially needing to navigate the complicated family dynamics before the authorities intervene.
This dispute has also surfaced just as Guardia disclosed her recent health struggles, which included undergoing eye surgery she postponed for over eleven years. With both personal and professional pressures, Guardia aims to balance her concerns over family with her recovery and public image as she responds to a crisis.
While the drama continues to shock fans, all eyes are on Maribel Guardia and Imelda Tuñón, as they navigate these tumultuous waters for the sake of young José Julián. This story is yet another chapter of celebrity entitlement colliding with deeply personal battles, raising questions about the boundaries of family, fame, and the ethics of public disputes.