In a cinematic landscape where romantic comedies often tread familiar ground, Luca Lucini's latest film, L'amore, in teoria, dares to explore the complexities of young love through the eyes of its protagonist, Leone, a 23-year-old philosophy student. The film, which is considered an ideal sequel to Lucini's earlier work, Tre metri sopra il cielo, delves into the challenges faced by a generation that has emerged from the isolation of the pandemic. With a screenplay co-written by Gennaro Nunziante, the film attempts to resonate with viewers navigating the tumultuous waters of love and identity in a rapidly changing world.
Leone finds himself in a classic romantic dilemma, torn between two women: Carola, his high school crush, and Flor, a spirited activist he meets while doing community service. This duality of affection serves as a narrative device to explore not just romantic entanglements but also the broader themes of self-discovery and societal expectations.
Nicolas Maupas takes on the role of Leone, embodying the character's timidity and philosophical musings with an unexpected sense of humor. His portrayal has drawn comparisons to Hugh Grant's iconic characters, blending charm with vulnerability. Meanwhile, Caterina De Angelis plays Carola, the beautiful yet complicated figure from Leone's past, while Martina Gatti portrays Flor, the embodiment of modern activism and passion.
The film opens with a thought-provoking quote from the philosopher Spinoza, setting the tone for Leone's journey of self-exploration. "One does not weep over one's history; one changes course," Spinoza's words echo through Leone's attempts to navigate his feelings and relationships. This philosophical underpinning is a nod to the film's exploration of contemporary youth and their struggles.
However, the film has received mixed reviews, with some critics pointing out its shortcomings. Carola Proto, writing for a prominent publication, highlights the film's light-hearted approach to serious themes, suggesting that it captures the essence of a generation stepping into adulthood after the lockdown. Proto notes, "The film respects the rules of the genre while providing a portrait of young people who have recently entered the world of love."
On the other hand, Simone Luciani's review offers a more critical perspective, arguing that the film's screenplay feels outdated and fails to authentically represent modern youth. Luciani critiques the dialogue as unrealistic and the character interactions as clichéd, stating, "It portrays a false idea of youth, an image that is both idolizing and damaging." This sentiment reflects a broader concern that the film does not fully engage with the complexities of young adulthood, instead opting for a superficial exploration of love and relationships.
The character of Meda, played by Francesco Salvi, emerges as a standout figure in the film, serving as a mentor to Leone. Salvi's performance brings a lightness to the narrative, providing comic relief amidst the emotional turmoil of the younger characters. Critics have noted that Meda's presence adds depth to the story, contrasting with Leone's often hapless romantic endeavors.
As Leone grapples with his feelings for both Carola and Flor, the film also touches on the impact of social media and societal pressures on relationships. The narrative suggests that the older generational norms surrounding love are increasingly inadequate for today's youth, who are navigating a landscape filled with new challenges—from online dating to the pressures of social activism.
Despite its flaws, L'amore, in teoria resonates with many young viewers, who see reflections of their own experiences in Leone's journey. As they witness his struggles and triumphs, audiences are reminded of the universal quest for love and understanding in an often chaotic world.
Ultimately, Lucini's film invites viewers to reconsider their perspectives on love, choice, and the importance of forging one's path. While some may find its execution lacking, the underlying message—that love is a complex, multifaceted experience—remains relevant and poignant. As Leone navigates his relationships, he embodies the essence of a generation that is still learning to define what love means in the modern age.
In a world that often feels overwhelming, L'amore, in teoria offers a glimpse of hope, suggesting that even amidst uncertainty, the pursuit of love and connection is worth the risk. As the film closes, it leaves audiences with a sense of optimism, encouraging them to embrace their own journeys of self-discovery and love.
