Luca Guadagnino’s latest film, Queer, has stirred significant conversation with its adaptation of William S. Burroughs’ provocative novella. Set against the vibrant backdrop of 1950s Mexico, the film intricately weaves together themes of love, desire, and sorrow, using its characters’ complex relationships to reflect on larger societal issues.
Starring Daniel Craig, who embodies the role of the troubled expatriate William Lee, and Drew Starkey as Eugene Allerton, the film explores the romantic and turbulent dynamics between these two men. Lee, entwined in the underbelly of Mexico City’s nightlife, pursues pleasure and connection. The film premiered at the Venice Film Festival, leading observers to expect another masterful contribution from the acclaimed director.
Guadagnino’s adaptation raises questions and expectations, especially with his reputation for creating visually stunning narratives. "I personally have been cultivating my knowledge of Burroughs and passion for him... The unconscious never lies," Guadagnino commented, shedding light on his deep connection to the original text. His ambition is commendable, though the execution has left mixed reactions among critics and audience members alike.
Set against the decaying charm of Mexico City, Lee’s character is depicted grappling with addiction and dissatisfaction. His relentless pursuit of Allerton, a younger man new to the city, serves not only as the film's emotional anchor but also as a lens through which the challenges of queer love are examined. "I was like, ‘what the f--k?’" Starkey recalled about his initial reaction when learning Guadagnino wanted to meet him for Queer. This candid moment highlights Starkey's surprise at being considered for such a significant role.
The narrative's conflict shines through the juxtaposition of Lee's seasoned conquests against Allerton's innocent explorations. Allerton, donned in high-waisted trousers and fitted tees reflective of his military background, must navigate unfamiliar territory, both socially and romantically. Meanwhile, Lee’s character, soaked with vices and grappling with self-doubt, remains ensnared by his past habits.
The film lends itself to poignant symbolism, especially observed through the vintage watches worn by the characters. Lee is often seen without his Marvin watch, a subtle reflection of his chaotic lifestyle, as he carries the broken strap as if it were his only tether to normalcy. Jonathan Darracott, Bonhams’ Global Head of Watches, stated, "The watches reflect the period of the film... they are meant to be modest." This modest choice compounds the themes of restraint and desire central to the characters’ identities.
Allerton, on the other hand, wears the 1944 Gruen Veri-Thin Pan American Pilots watch, intricately tied to military aesthetics and his character’s backstory. The watches serve as silent narrators, each holding significance to the psychological underpinnings of their wearers. “I like the idea of creating backstories around watches when used in film... it’s interesting,” said Eric Wind, emphasizing their power as storytelling devices.
Craig’s performance is noteworthy, as he portrays the turmoil of his character with raw vulnerability. Daniel Craig’s depth is so expertly displayed, with Starkey commenting, "Drew shows signs of maturity well beyond his years." This collaboration between the actors adds undeniable chemistry to the film, which many critics describe as languorous yet captivating.
Despite the rich thematic elements, the film struggles to maintain momentum. Critics have pointed out moments where the film could have amplified its emotional impact but fell short. “Like trying to start a fire by rubbing two pieces of rubber together,” remarked film critic Nick Newman, capturing the sentiment of many viewers who expected more from the film’s pacing.
The hypnotizing cinematography juxtaposed with moments of speechlessness between characters offers spectacular portrayals of unsaid emotions. The audience feels the weight of uncommunicated love and unresolved feelings through silent exchanges. Guadagnino's craftsmanship is present but sometimes does not translate effectively on screen.
One cannot discuss Queer without mentioning its soundtrack, where Nirvana's music fortifies the film’s emotional atmosphere. Songs like “Come as You Are” and Sinead O’Connor’s cover of “All Apologies” encapsulate the film’s themes of longing and identity, drawing connections between Burroughs’ world and contemporary struggles.
To ground the film’s closing moments is the poignant symbolism of Lee’s final watch—the Keith Haring Swatch, which bears deep emotional resonance. “The Keith Haring watch was Daniel's personal watch,” shared prop master Matt Marks, showcasing Craig’s connection to his character’s tragic narrative arc. The ouroboros symbol depicted on the dial embodies themes of cyclicality and self-destruction, compounding the layered storytelling surrounding the protagonists’ experiences.
While Queer may not achieve universal acclaim, it offers rich explorations of love and identity, held together by nuanced performances and Guadagnino’s distinct aesthetic. The film stands as both a tribute to Burroughs and as a contemporaneous reflection of the struggles and triumphs faced within queer relationships.
