Museums are not just vaults of history; they are dynamic entities with stories all of their own. One such story is soon to unfurl as the Nelson-Atkins Museum of Art gears up for the anticipated auction of Claude Monet's stunning painting, Moulin de Limetz (1888). This riverscape offers viewers not merely colors and images, but pathways to the past, weaving together the history of art collecting and familial lineage, all bound by the aesthetics of Impressionism.
This charming piece, reflecting the serene view of the River Epte near Monet's famed Giverny, was co-owned by the museum and the descendents of Ethel B. and Joseph S. Atha. Their connection to the work stretches back decades, anchored by the Atha family’s rich history and their philanthropy aimed at nurturing art within the Kansas City community. This painting, considered a treasure, is set to hit the auction block at Christie's on May 15, with estimates placing its value between $18 million and $25 million.
The painting, depicting a grain mill, draws admiration not just for its beauty but for its unique backstory. Originally acquired by Impressionist dealer Paul Durand-Ruel, it captivated collectors like the Athas, who took ownership after 1936. Upon Ethel's passing, the arrangement was made to share its ownership with the museum, giving the community access to this lovely piece of art for years.
Sadly, the recent death of Ethel’s daughter, Evelyn Atha Chase, led the family to opt for selling their share. This decision, though bittersweet, opens up avenues for the museum to establish the Joseph S. and Ethel B. Atha Art Acquisition Endowment. This endowment represents not just preservation of art, but also commitment to future acquisitions, ensuring the legacy of the Atha family endures, helping cultivate new collections to inspire future generations.
According to Julián Zugazagoitia, director of the museum, "We are so grateful to the Atha family for their generosity, which has made it possible for us to share this wonderful Monet with our community for many years.” His words resonate the harmony between preserving art and ensuring its accessibility for the masses. The potential proceeds from this auction offer the Nelson-Atkins not only financial support, but also cultural enrichment opportunities to engage with art education efforts.
While Moulin de Limetz is taking center stage, it’s not the only work by Monet deserving of attention. The museum boasts four other Monet paintings, celebrating the legacy of Impressionism, which sees its 150th anniversary this year. Just as the first Impressionist exhibition lit the art world afire, the continued exploration of works like Moulin de Limetz roots viewers back to the movement's trailblazing origins.
Interestingly, this specific piece isn't the only version; Monet painted two interpretations of Moulin de Limetz. The other version recently sold at Sotheby’s for $25.6 million and is now on loan to Museum Barberini located in Potsdam, Germany. These incredible price tags make it evident: the art market is thriving, and paintings like Monet’s are firmly cemented as treasured investments.
Now, as the Nelson-Atkins prepares for the auction and the auctioneer raises their gavel, one can’t help but ponder the converging fates tied to the art world, the Atha family legacy, and Kansas City’s vibrant art scene. This sale is more than just monetary value—it’s about honoring tradition, supporting future artistic endeavors, and preserving community ties through art.
Furthermore, more than ever, museums are seen as institutions cultivating connections. They’re spaces where stories of human experience emerge through creative expressions, and the upcoming auction of Moulin de Limetz serves as a reminder of how intertwined life can be with art. Whether it’s the moments captured on canvas or the relationships built through sharing these works, the significance of this auction will ripple through time.
What are the future chapters waiting for the Atha legacy, fueled by this auction? And how will Kansas City celebrate this historic moment? While we ponder these questions, we celebrate the enduring impact of Impressionism and art collecting, reflecting on the finger it gives to history, family, and culture, all tied together by the simple stroke of paint on canvas.