During his recent appearance on the popular Spanish talk show Martínez y Hermanos, actor Javier Gutiérrez openly declared himself to be somewhat of a perfectionist. Gutiérrez, known for his roles both on stage and screen, exclaimed, "Carmen Machi and I could be the two most compulsive people in Spanish theater." This candid admission reflects his unique blend of humor and self-awareness, traits familiar to fans of the actor.
Gutiérrez elaborated on his personal quirks before stepping on stage, explaining, "I have to be the last to leave the dressing room and the first to enter the scene. I have to touch all the wood I pass on the way and every green sign." He hilariously recounted his ritual of jumping and tapping exit signs three times for good luck, which he insists has become second nature.
His longtime colleague, Carmen Machi, was not spared from his observations. He noted, "She has all my quirks and then some." This playful jab serves to highlight not just their camaraderie but the extent of their personal neuroses, which seem to fuel their performances.
Reflecting on his experiences within the film industry, Gutiérrez shared, "I need to touch the clapperboard constantly." This idiosyncrasy, which he admits caught the attention of younger actors on the set of Campeones, became something of a trend among the cast. He laughed as he recalled, "There were about ten actors per scene, and they saw what I was doing, leading them to think it was standard practice on set. They had to be told it wasn't necessary because we’d take much longer otherwise!"
To showcase this rather theatrical manifestation of his quirks, Gutiérrez humorously demonstrated his unique ‘three taps’ on the green screens during filming, much to the delight of the audience present during the interview.
Gutiérrez's anecdotes reveal much about the psychological makeup of performers—how their routines and rituals ground them amid the pressures of performance. Fans tuned in not just for entertainment but to witness this glimpse behind the curtain, appreciating the human side of their favorite actors.
Comedian and host of the show, Jorge Martínez, skillfully interweaved humor and critique throughout the interview, making it even more engaging. He prompted Gutiérrez with leading questions, which brought out even more colorful stories about the stage—a notable tactic for anyone familiar with the nuances of engaging television.
This exploration of cultural idiosyncrasies fosters a strong connection between performers and their audience. Many viewers find solace in Gutiérrez's quirks, which mirror their own unique habits and obsessions.
Gutiérrez closed this lively segment with words of reflection about his craft, stating, "Whether on stage or on set, it’s those little things—those odd rituals—that keep me centered and focused. It’s what I revel in; it’s part of the spectacle and performance after all!" With this, he leaves his audience smiling and perhaps prompting them to reflect on their own peculiarities, creating more than just entertainment but shared human experience.