Today : Jan 29, 2025
Arts & Culture
27 January 2025

Japanese Music Ranking Shows Making A Comeback

Music programs gain popularity with live artist performances captivating audiences.

Japanese music ranking shows are experiencing a notable revival, capturing the attention of audiences across the country. Since April last year, programs such as 'CDTV LIVE LIVE,' 'SONGS,' and 'Music Station' have re-emerged as favorites among music lovers, showcasing live performances from popular artists.

One of the standout programs is 'CDTV LIVE LIVE,' which has been heralded for its live performance format. It ranked highly among viewer preferences, securing the third spot in surveys concerning favorite music shows. The concept revolves around broadcasting artists' performances almost entirely, allowing fans to enjoy their favorite songs performed live. Viewers expressed their appreciation of the diversity of artists, with comments such as, "色んなアーティストが出演するから" (Because various artists appear). This focus on enhancing the live experience has made 'CDTV LIVE LIVE' particularly beloved.

Indeed, the show is not just about music; it also hosts annual festivals, such as the 'CDTV LIVE LIVE THANKS FES,' which continues to attract large crowds, underscoring its popularity. The live music experience has become integral to the show's appeal, as viewers have noted the vibrant atmosphere it cultivates during performances.

Moving up the ranks, 'SONGS' has cherished its second-place position. Hosted by actor Oizumi Yo, the format involves inviting one guest artist per episode. Viewers thoroughly enjoy transitioning through Toka, song performance, and engaging discussions. Feedback from fans includes sentiments like, "特集されている歌手について、エピソードなども含め、深く紹介してくれるから" (Because it deeply introduces featured artists with their stories). This intimate approach allows the audience to connect more personally with the artists featured on the show.

The show has welcomed various notable guest artists like Kuwata Keisuke and DREAMS COME TRUE, enriching the cultural fabric it presents. Oizumi's charm and approach to soliciting stories from guests have also received accolades, making fans say things like, "大泉洋がいい" (Oizumi Yo is great). Underlining the importance of quality content and engagement, Chief Producer Shinohara Shinsuke noted, "撮れ高は台本を超えてくる" (The surprises exceed the script), emphasizing the spontaneous and genuine nature of the episodes.

Dominantly leading the rankings, 'Music Station' remains Japan's cornerstone of music broadcasting. Since its debut on October 10, 1986, it has become not only one of the most enduring but also one of the most familiar music shows for generations of viewers. Hosted by the beloved Tamori, the program features live performances by artists alongside casual banter between Tamori and his guests.

Viewers regularly cite their feelings of nostalgia with comments like, "昔から見慣れた番組で親近感がある" (It's a familiar program I've been watching for ages, so it feels close to me). The ripple effect of the show's longevity has cultivated loyal fans who appreciate both the live aspects and the unique interactions, particularly between Tamori and the artists he hosts.

The show's innovative approach includes unique elements like other artists watching the performances live, which brings additional layers to the experience. The integrity of the live broadcast format has even garnered 'Music Station' recognition, as it entered the Guinness World Records for the longest-running live music show hosted by the same MC. Tamori continues to helm the show, much to the delight of its viewers who comment, "MCがタモリさんだから" (Because the MC is Tamori).

Overall, the resurgence of these music ranking shows speaks volumes about Japan's enduring love for live music and artist-centric programming. With each show offering distinct experiences, ranging from vibrant live performances to deep artist storytelling, audiences are finding increased reasons to tune in. The cultural resonance of these shows is not just about entertainment—they forge connections between artists and fans, weaving together the fabric of Japan's rich musical heritage.

Looking forward, it is evident these programs will continue to adapt and thrive, creating spaces where new and established artists can shine, and audiences can experience music as it was meant to be enjoyed—live and full of energy.