On March 2, 2025, the Dolby Theatre in Los Angeles became the stage for what would be heralded as a historic milestone for Brazilian cinema, as the film I'm Still Here was crowned Best International Feature at the 97th Academy Awards. This triumph not only marks the first Oscar win for Brazil but also signifies the film's remarkable ability to resonate on both national and international levels.
I'm Still Here, directed by the renowned Walter Salles, has captivated audiences with its poignant representation of Eunice Paiva’s courageous quest for justice following the disappearance of her husband, Rubens Paiva, during Brazil’s oppressive military dictatorship. Salles, who previously earned Oscar recognition for his acclaimed film Central Station, took the podium with heartfelt gratitude as he accepted the award. "This goes to a woman who, after a loss suffered during an authoritarian regime, decided not to bend. And to resist. So, this prize goes to her. And it goes to the two extraordinary women who gave life to her: Fernanda Torres and Fernanda Montenegro," he said, prompting applause from the audience.
The film’s narrative is inspired by the real-life experiences of Eunice Paiva (played by Torres), who is left to raise her five children alone after her husband’s abduction by the regime's forces. With the backdrop of Brazil's political turmoil, I'm Still Here showcases both personal and societal resilience, providing audiences with intimate and emotional storytelling. The film's exploration of memory and defiance against unjust authority has struck chords with viewers worldwide, helping pave the way for its Oscar success.
The Academy Awards ceremony saw I'm Still Here go head-to-head with other strong contenders, including France’s Emilia Pérez, Denmark’s The Girl with the Needle, Germany’s The Seed of the Sacred Fig, and Latvia’s Flow. While Emilia Pérez had emerged as the favorite with its 13 nominations, controversies surrounding its star, Karla Sofía Gascón, who faced backlash over past social media posts, weakened its standing. Gascón’s social media activity stirred public debate, which likely influenced voters during the final decision-making process, allowing Salles’ respectful and powerful film to shine through the cloud of prior controversies.
Released in Brazil back in November 2024, I'm Still Here had already garnered significant commercial success, selling over 4.1 million tickets and grossing 85.41 million reais, positioning it as the fifth highest-grossing Brazilian film ever. It received high praise during its festival run, winning accolades such as the FIPRESCI Award for Best International Film at the Palm Springs Film Festival and the Best Screenplay at the Venice Film Festival, showcasing the film’s compelling narrative and artistic direction.
Highlighting the significance of its Oscar victory, Brazil’s President Luiz Inácio Lula da Silva took to social media to express national pride, stating, “Today is the day to feel even prouder of being Brazilian. Pride for our cinema, for our artists and, primarily, pride for our democracy.” The celebration extended back home, as news of the win reached the Sambadrome during the Carnival festivities, where community members erupted in joy, celebrating this landmark achievement for their nation and its filmmaking community.
Throughout the ceremony, the emotional weight of the film was palpable. The portrayal of Eunice, who not only loses her husband but also fights relentless battles against systemic injustice, serves as both a personal history and universal narrative. Notably, Fernanda Torres’ performance has evoked accolades, marking her presence among the elite recognized within the industry. The nominations have also aligned the Torres-Montenegro family duo with illustrious mother-daughter pairs recognized by the Academy, such as Judy Garland and Liza Minnelli.
During his acceptance speech, Salles encapsulated the essence of I'm Still Here by stating, "The hope of embracing life allows you to have — maybe that's the film’s core message. Another way to understand this is to view democracy as something increasingly fragile globally." His words not only echoed the film's themes but also underscored the current political climate around the world, drawing parallels between individual struggles and wider societal dynamics.
With its resounding victory, I'm Still Here stands not only as Brazil's cinematic pride but as a beacon for oppressed voices worldwide. Its unique take on historical events has not only cemented its place among cinematic milestones but also reignited conversations about the importance of human rights and memory. This Oscars night will be commemorated as a pivotal moment for the arts, marking the broader acceptance and recognition of Brazilian cinema on the global stage.
Looking forward, the film's success is expected to inspire local filmmakers to explore stories rooted in Brazil’s historical narratives, reigniting interest and engagement with the country's past. I'm Still Here has opened doors for future projects by highlighting resilience amid adversity, demonstrating how art can be both reflective and transformative for society. By honoring the suffering endured by those like Eunice Paiva, the film has solidified its role as more than entertainment; it is both tribute and testimony.