Harris Dickinson is making waves not only with his performance but also with his audacious style choices, both on screen and on the catwalk. His role in the film Babygirl presents a contemporary twist on the dynamics of power and confidence, showcasing how attire can greatly influence perceptions of dominance and allure.
Set against the backdrop of the film industry’s shifting sartorial choices, Babygirl offers audiences more than just its erotic narrative. Costume designers Kurt and Bart have cleverly crafted garments for Dickinson's character, Samuel, to not only encapsulate the essence of streetwear but also to symbolize the shifting power dynamics between the protagonists. While traditional portrayals of dominant figures often leaned on bespoke suits and formal wear, the film boldly states: confidence can shine through the most casual of garments.
“That's the power of street style and animal confidence,” Kurt and Bart explain, highlighting how Samuel, clad casually yet effortlessly, becomes the embodiment of modern charisma. His character contrasts sharply with Nicole Kidman’s Romy, who embodies the older generation's expectations of power through her formal wardrobe—an image of sophistication borne from designer brands. Yet, it is Samuel's nonchalant swagger, described by Bart as “disarming,” which commands attention, indicating the role of inner confidence over superficial appearances.
This transition from formalities to ease in fashion is especially pronounced during the recent Milan Fashion Week. Attendees noted Dickinson’s appearance alongside notable figures like Damson Idris and Troye Sivan, all serving up trends reflective of the current cultural shift. The event stood out not just for the collections showcased, but for the effortless style embodied by its front-row guests. Harris Dickinson, spotted at the Prada P/E 2025 show, demonstrated smart-casual styling with his modern choices, echoing the themes established within Babygirl.
During the Prada show at Fondazione Prada, which commenced the autumn/winter season, Dickinson sat poised beside Idris, reinforcing the notion of refined ease. The duo represented the epitome of ‘cool’, proving the versatility of denim and relaxed silhouettes. The collection's highlights included Cavalier Sophistication, illustrated by the way these stars wore their garments, seamlessly blending laid-back styles with the elegance expected by luxury brands.
While many shows have seen the absence of major brands like Gucci and Versace, the celebrity presence at Prada was noteworthy. Dickinson’s casual yet stylish demeanor stood out amid the gentle chaos of the runway, where each look told its own story—one of freedom, comfort, and layered elegance. Undoubtedly, the fashion audience was eager to see how brands adapted to reflect the sentiments of their younger clients who favor nonchalant sophistication.
“His animal confidence makes whatever he is wearing magnetic for Romy,” Kurt shares, capturing the essence of their on-screen dynamic. This sentiment resonates particularly well with today’s fashion-forward individuals, who prioritize comfort over rigid conformity. Samuel’s easygoing vibe, depicted through his choice of relaxed apparel, signifies the new-age candidate; one who can command respect and attention irrespective of the label on his attire. This narrative naturally aligns with Gen-Z’s values, as emphasized by reports highlighting their disinterest in conventional career trajectories.
Interestingly, the film's finale contrasts Romy's memory of Samuel against her real-life husband, Jacob, emphasizing her memories not of his formality but of him dressed casually—“in Zara jeans and broken-in Nike hoodie.” Such portrayals challenge antiquated notions of dominance rooted solely in luxury and decorum, showcasing instead the power held within authenticity and comfort.
The events at Fashion Week reflect this broader cultural moment where celebrities are not merely serving as fashion icons but embodying the ethos of their brands. At the Prada show, as Dickinson and his peers elegantly rocked their trendsetting looks, they exuded the sort of confidence and charm the fashion industry craves to associate with modern masculinity.
With the transition to Paris and the upcoming Haute Couture Week, more explorations of these themes are set to continue. The world of fashion is moving—and Harris Dickinson, with his unique style narratives both on-screen and off, is leading the charge. The fashion elite now have ample reason to keep their eyes peeled for what he’ll portray next.
This interplay between fashion and self-assurance also reveals much about our cultural shift; we’re witnessing the redefinition of what it means to assert one’s presence. No longer is it about wearing the most pristine suit, but rather embracing individuality—whether it’s through sportier ensembles or comfortable attire. Harris Dickinson stands as both star and symbol for this evolution, uniting film and fashion as he confidently walks the line between the two worlds.